Jacques CallotFrancia, 1592–1635Apostel Matthias
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Rijksmuseum
Amsterdam, Países Bajos
Se conoce el propietario; no se sabe si hoy está expuesta.
- Fuente
- El museo
Sobre la obra
En palabras del museo — en neerlandés
Matthias, ten voeten uit, een hellebaard in de hand. Op de achtergrond links is te zien hoe hij een man doopt; op de achtergrond rechts is te zien hoe hij wordt gedood met hellebaarden. Deze prent is onderdeel van een reeks van 16 prenten, bestaande uit een titelblad en 15 portretten, voorstellende Christus, Maria en de apostelen.
Rijksmuseum
Ficha
- Número de inventario
- RP-P-OB-4769
Lo que muestra
En el catálogo
Fuentes
- Rijksmuseum
- Imagen: Rijksmuseum — public domain
Mientras tanto, en la vida de Jacques Callot
La vida entera1621–1635 · Lugar de trabajo
Nancy
1629–1630
Declines to serve Louis XIII
King Louis XIII of France offers Callot a place at his court, but the artist declines; by one account, as a patriot of Lorraine he could not forgive the king for the devastation of his homeland by French troops.
1629–1630
Lives and works in Paris
From 1629 Callot lives and works in Paris, where his clients include publishers, mostly Parisian; overall he is commissioned by the courts of Lorraine, France and Spain.
c. 1630
Meets Abraham Bosse
The meeting of the Parisian Abraham Bosse with Callot around 1630 makes Bosse his follower: he will later spread the master’s technical innovations across Europe in the first published manual of etching, translated into several languages.
1633
The French invasion of Lorraine
In the year the large series of the “Miseries of War” is published, Lorraine is invaded by the French during the Thirty Years’ War; Callot’s etchings of pillaging, executions and the lot of crippled beggars are counted among the most powerful artistic statements of the inhumanity of war and will later inspire Goya.
