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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  1. Colección/
  2. Museo Smithsoniano de Arte Americano/
  3. Amatitlán, Guatemala
Amatitlán, Guatemala, Eadweard Muybridge, 1875, published 1877
Eadweard Muybridge, retratoEadweard MuybridgeInglaterra, 1830–1904

Amatitlán, Guatemala

1875, published 1877 · Photography-Photoprint · 13.7 × 23.2 cm

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Se desconoce

Museo Smithsoniano de Arte Americano

Washington D. C., Estados Unidos

Se conoce el propietario; no se sabe si hoy está expuesta.

En este estado desde
25 sept 2026
Fuente
El museo
En el mapaPágina del museo

Ficha

1875, published 1877
18301904
Número de inventario
1999.97.25

Lo que muestra

MountainsLandscapeAmatitlanLakesBird's eye viewLake Amatitlan

En el catálogo

FotografíaCopia a la albúminaRealismoImpresionismoSiglo XIX

Fuentes

  • Museo Smithsoniano de Arte Americano
  • Imagen: Museo Smithsoniano de Arte Americano — CC0

Mientras tanto, en la vida de Eadweard Muybridge

La vida entera
  1. 17 October 1874

    Shoots Harry Larkyns at Calistoga

    On 17 October 1874 Muybridge went to Calistoga and shot Larkyns at point-blank range, saying he had a message for him from his wife; Larkyns died that night, and Muybridge was arrested without protest and put in the Napa jail.

  2. February 1875

    The murder trial: Muybridge is acquitted

    Muybridge was tried for murder in February 1875; Stanford had arranged his defence, and the attorney W. W. Pendegast pleaded insanity because of the head injury of 1860, although the defendant himself indicated that his actions had been deliberate. The jury acquitted him as having committed justifiable homicide, explaining that if the verdict was not in accordance with the law, it was in accordance with the law of human nature.

  3. after February 1875

    Central America: nine months of “working exile”

    Shortly after his acquittal Muybridge left on a previously planned nine-month photography trip to Central America, now acting as a “working exile”; in Guatemala he advertised his works under the name “Eduardo Santiago Muybridge”. It is believed that shooting aboard a constantly rolling ship helped him develop his ability to take pictures more rapidly.

  4. June 1878

    It is revealed when a galloping horse leaves the ground

    The pictures showed that a running horse has all four hooves in the air at regular intervals, not with its legs extended to front and back, as illustrators imagined, but when its legs are collected beneath its body as it switches from “pulling” with the front legs to “pushing” with the back legs.

  5. 15 June 1878

    A demonstration for the press: a snapping strap caught in frame

    For the session of 15 June 1878 the press and a selection of turf men were invited; an accident with a snapping strap was captured on the negatives and shown to the attendees, convincing even the most skeptical witnesses. The news of this success was reported worldwide.

  6. 8 July 1878

    First projection of his photographs at the San Francisco Art Association

    The Daily Alta California reported that Muybridge first exhibited magic-lantern projections of his photographs at the San Francisco Art Association on 8 July 1878. Newspapers could not yet reproduce detailed photographs, so the images were widely printed as woodcut engravings, and six series were soon published as cabinet cards titled “The Horse in Motion”.

Más obras de Eadweard Muybridge

Todas las obras
Crater of Volcano, Quetzaltenango-Guatemala, Eadweard Muybridge, 1875

Crater of Volcano, Quetzaltenango-Guatemala

1875 · Museo Metropolitano de Arte

Jockey Riding, Eadweard Muybridge, 1887

Jockey Riding

1887 · Harvard Art Museums

Gallop; Thoroughbred Bay Horse Bouquet, Eadweard Muybridge, 1887

Gallop; Thoroughbred Bay Horse Bouquet

1887 · Rijksmuseum

"Yosemite Hotel", Eadweard Muybridge, 1867

"Yosemite Hotel"

1867 · No expuesta · Galería Nacional de Arte

Pi-wy-ack (Cataract of Diamonds), Vernal Falls, Yosemite Valley, California, Eadweard Muybridge, 1867

Pi-wy-ack (Cataract of Diamonds), Vernal Falls, Yosemite Valley, California

1867 · No expuesta · Galería Nacional de Arte

Yo-Sem-i-te Valley, California. The Valley from Pohono Meadows, Eadweard J. Muybridge, negative 1867 or 1872; print later

Yo-Sem-i-te Valley, California. The Valley from Pohono Meadows

negative 1867 or 1872; print later · No expuesta · Museo J. Paul Getty

Cathedral Spires, Valley of the Yosemite, Eadweard Muybridge, 1872

Cathedral Spires, Valley of the Yosemite

1872 · No expuesta · Galería Nacional de Arte

Clark & Moore, Merced River, Yosemite, Eadweard Muybridge, 1872

Clark & Moore, Merced River, Yosemite

1872 · No expuesta · Galería Nacional de Arte

Bajo el mismo techo: Museo Smithsoniano de Arte Americano

Página del museo
Muskrat, Unidentified, before 1997

Unidentified

Muskrat, before 1997

Cane with Boot-Shaped Handle, Unidentified, late 19th-early 20th century

Unidentified

Cane with Boot-Shaped Handle, late 19th-early 20th century

San Jose, Arce group, late 19th-early 20th century

Arce group

San Jose, late 19th-early 20th century

Nuestra Senora del Carmen, Rivera group, ca. late 19th-early 20th century

Rivera group

Nuestra Senora del Carmen, ca. late 19th-early 20th century

San Rafael, Genaro Rivera Aviles, late 19th-early 20th century

Genaro Rivera Aviles

San Rafael, late 19th-early 20th century

Worrying Mother Pig Toy, Unidentified, 20th century (pre-1960s)

Unidentified

Worrying Mother Pig Toy, 20th century (pre-1960s)

Bright Light at Russell's Corners, George Ault, 1946

George Ault

Bright Light at Russell's Corners, 1946

Fish Decoy, Unidentified, ca. 1940s

Unidentified

Fish Decoy, ca. 1940s

Sobre el mismo tema · Mountains

Todas las obras sobre el tema
Half Dome and Moon, Yosemite Valley, Ansel Adams, 1960

Ansel Adams

Half Dome and Moon, Yosemite Valley, 1960

No expuesta · Galería Nacional de Arte

Mount Williamson, Sierra Nevada, from Manzanar, California, Ansel Adams, 1944, printed 1960s

Ansel Adams

Mount Williamson, Sierra Nevada, from Manzanar, California, 1944, printed 1960s

No expuesta · Galería Nacional de Arte

Clear Weather with a Southerly Wind, Katsushika Hokusai, 1829 - 1833

Katsushika Hokusai

Clear Weather with a Southerly Wind, 1829 - 1833

Rijksmuseum

Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)", Katsushika Hokusai, 1830/33

Katsushika Hokusai

La gran ola de Kanagawa, 1830/33

No expuesta · Instituto de Arte de Chicago

Landscape with Sportsman and Dog, Rembrandt van Rijn, c. 1653

Rembrandt van Rijn

Landscape with Sportsman and Dog, c. 1653

No expuesta · Galería Nacional de Arte

View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, Thomas Cole, 1836

Thomas Cole

El meandro, o Vista desde Mount Holyoke después de una tormenta, 1836

Museo Metropolitano de Arte

The Rocky Mountains, Lander's Peak, Albert Bierstadt, 1863

Albert Bierstadt

The Rocky Mountains, Lander's Peak, 1863

Museo Metropolitano de Arte

Tahitian Shore [recto], Paul Gauguin, c. 1900

Paul Gauguin

Tahitian Shore [recto], c. 1900

No expuesta · Galería Nacional de Arte