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Abundance, or perhaps Charity, Peter Scheemakers, ca. 1757 - ca. 1758

Abundance, or perhaps Charity

ca. 1757 - ca. 1758 · Statuette

Sobre la escultura

This is the model for an allegorical figure on the monument to the 2nd Lord Raymond (d. 1756) in the church of St Lawrence, Abbots Langley, Hertfordshire. This small-scale terracotta model would have been part of the design process for the finished marble tomb.

Peter Scheemakers was one of the leading sculptors working in Britain in the mid-18th century, and was renowned for his tombs and portrait busts in particular.

His training in the Netherlands would have included the modelling of terracottas, and this piece exemplifies his fluid drapery style, as well as his tendency to give the figure a slightly stiff pose.

Seguir leyendo

Peter Scheemakers (1691-1781) was born in Antwerp and trained under his father, the sculptor Peter Scheemaekers the Elder (1652-1714). Scheemakers was in London by 1721, where he first collaborated with Pieter-Denis Plumier (1688-1721) and Laurent Delvaux (1696-1778) on the monument to John Sheffield, 1st Duke of Buckingham, for Westminster Abbey. Scheemakers continued in partnership with Delvaux, carving funerary monuments as well as garden statuary. They went together to Rome in 1728, where Scheemakers remained for two years before returning to England in 1730 and setting up an independent workshop. He spent the rest of his working life in England, concentrating on monuments and portrait busts

Museo de Victoria y Alberto

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En la misma sala · Sculpture, Room 24, The Dorothy and Michael Hintze Galleries, Museo de Victoria y Alberto

Página del museo

Sobre el mismo tema · Figure

Todas las obras sobre el tema
ca. 1757 - ca. 1758
16911781
Número de inventario
A.2-1985

Fuentes

  • Museo de Victoria y Alberto
  • Imagen: Museo de Victoria y Alberto — © Victoria and Albert Museum, London
Peter Scheemakers, retratoPeter Scheemakers1691–1781

¿Se puede contemplar?

Sí, recibe visitas

Museo de Victoria y Alberto

Londres, Reino Unido

SalaSculpture, Room 24, The Dorothy and Michael Hintze Galleries

Expuesta al público. Quién lo avala figura más abajo.

Comprobado
hace 13 días
En este estado desde
25 sept 2026
Fuente
El museo
En el mapaPágina del museo
Dr Hugh Chamberlen, Peter Scheemakers, 1728-1730

Dr Hugh Chamberlen

1728-1730 · Museo de Victoria y Alberto

Richard Temple, 1st Viscount Cobham, Peter Scheemakers, ca. 1740

Richard Temple, 1st Viscount Cobham

ca. 1740 · Museo de Victoria y Alberto

Drawing, Peter Scheemakers, c. 1746

Drawing

c. 1746 · No expuesta · Museo de Victoria y Alberto

Drawing, Peter Scheemakers, c.1750

Drawing

c.1750 · No expuesta · Museo de Victoria y Alberto

Henrietta Anderson-Pelham (died 1813), Joseph Nollekens, 1810

Joseph Nollekens

Henrietta Anderson-Pelham (died 1813), 1810

Charles Anderson-Pelham, later 1st Earl of Yarborough (1781–1846), Joseph Nollekens, 1808

Joseph Nollekens

Charles Anderson-Pelham, later 1st Earl of Yarborough (1781–1846), 1808

Maria, Mrs Henry Howard of Corby Castle, Cumberland and her child, Joseph Nollekens, 1800-1803

Joseph Nollekens

Maria, Mrs Henry Howard of Corby Castle, Cumberland and her child, 1800-1803

Sir George Savile (1726–84), Joseph Nollekens, 1784

Joseph Nollekens

Sir George Savile (1726–84), 1784

Unknown man, possibly Dr Edward Archer, Joseph Wilton, 1781

Joseph Wilton

Unknown man, possibly Dr Edward Archer, 1781

Sir Thomas Gasgoine, 8th Baronet of Parlington (1745-1810), Christopher Hewetson, 1778

Christopher Hewetson

Sir Thomas Gasgoine, 8th Baronet of Parlington (1745-1810), 1778

Chaloner Chute, probably Thomas Carter the Younger, ca. 1775

probably Thomas Carter the Younger

Chaloner Chute, ca. 1775

Lorenzo Ganganelli, Pope Clement XIV (1769-1774), Christopher Hewetson, 1773

Christopher Hewetson

Lorenzo Ganganelli, Pope Clement XIV (1769-1774), 1773

Cemetery Statue and Oil Derricks, Long Beach, California, Ansel Adams, 1939, printed 1976

Ansel Adams

Cemetery Statue and Oil Derricks, Long Beach, California, 1939, printed 1976

No expuesta · Galería Nacional de Arte

Mademoiselle Léonie, First Plate, Pablo Picasso, 1910

Pablo Picasso

Mademoiselle Léonie, First Plate, 1910

No expuesta · Galería Nacional de Arte

Rape under the Window (Le viol sous la fenetre), Pablo Picasso, 1933

Pablo Picasso

Rape under the Window (Le viol sous la fenetre), 1933

No expuesta · Galería Nacional de Arte

The Bath (Le bain), Pablo Picasso, 1905, published 1913

Pablo Picasso

The Bath (Le bain), 1905, published 1913

No expuesta · Galería Nacional de Arte

In the Arena. Young Man Kills the Minotaur (Dans l'arène. Jeune homme achevant le minotaure), Pablo Picasso, 1933

Pablo Picasso

In the Arena. Young Man Kills the Minotaur (Dans l'arène. Jeune homme achevant le minotaure), 1933

No expuesta · Galería Nacional de Arte

Pike (Pique), Pablo Picasso, 1959

Pablo Picasso

Pike (Pique), 1959

No expuesta · Galería Nacional de Arte

Tête de garçon II (Head of a Boy II), Pablo Picasso, 1962

Pablo Picasso

Tête de garçon II (Head of a Boy II), 1962

No expuesta · Galería Nacional de Arte

The Acrobats (Les saltimbanques), Pablo Picasso, 1905, published 1913

Pablo Picasso

The Acrobats (Les saltimbanques), 1905, published 1913

No expuesta · Galería Nacional de Arte

Lo que muestra

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EsculturaTerracota y cerámicaRococóSiglo XVIIIInglaterra