Edouard VuillardFrancia, 1868–1940Στον Κεραμεικό
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National Gallery – Alexandros Soutsos Museum
Atenas, Grecia
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Mientras tanto, en la vida de Edouard Vuillard
La vida entera1886–1927 · Lugar de trabajo
Paris
early 1890s
The Natanson brothers and La Revue Blanche
Through his theatre work he meets Alexandre and Thadée Natanson, founders of the cultural review La Revue Blanche, where his graphics appear alongside work by Bonnard, Toulouse-Lautrec and Vallotton; the brothers become his important patrons. Other accounts say they had known each other since the Lycée Condorcet.
early 1890s
A shared studio and the first stage sets
He shares a studio at 28 Rue Pigalle with Bonnard, the director Lugné-Poe and a theatre critic, and designs sets for plays by Maeterlinck and other Symbolist writers. In the early 1890s he works chiefly for Lugné-Poe’s Théâtre de l’Œuvre, designing backdrops and programmes.
1894
Commission for stained-glass windows for Tiffany
Siegfried Bing, who gave Art Nouveau its name, commissions Vuillard and the other Nabis to design stained-glass windows to be made by Louis Tiffany’s American firm; the designs are shown in 1895 at the Société Nationale des Beaux-Arts, but the windows are never made.
December 1895
Shown at the opening of Bing’s Maison de l’Art Nouveau
Displayed at the opening of Bing’s gallery in December 1895 are his series of decorative porcelain plates, with women in modern dress immersed in floral designs, his design for the Tiffany window and the decorative panels made for the Natansons.
