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Where the masterpiece hangs, and when they let you in.

Collections: Art Institute of Chicago, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (6 museums), Paris Musées (12 museums), and Joconde, the French Ministry of Culture's museum database (495 museums). Images belong to their rights holders.

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The age of Romanticism, 1800–1850

200,068 works from 479 museums2,844 on view nowClear

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Dos grupos de picadores arrollados  de seguida por un solo toro (Two Teams of Picadors Thrown One after the Other by a Single Bull), Francisco Goya, in or before 1816Francisco de GoyaDos grupos de picadores arrollados de seguida por un solo toro (Two Teams of Picadors Thrown One after the Other by a Single Bull)in or before 1816National Gallery of Art
El Cid Campeador lanceando otro toro  (The Cid Campeador Spearing Another Bull), Francisco Goya, in or before 1816Francisco de GoyaEl Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull)in or before 1816National Gallery of Art
Old Woman on a Swing, Francisco Goya, 1824/1828Francisco de GoyaOld Woman on a Swing1824/1828National Gallery of Art
The Blind Singer, Francisco Goya, 1824/1828Francisco de GoyaThe Blind Singer1824/1828National Gallery of Art
Pedro Romero matando a toro parado (Pedro Romero Killing the Halted Bull), Francisco Goya, in or before 1816Francisco de GoyaPedro Romero matando a toro parado (Pedro Romero Killing the Halted Bull)in or before 1816National Gallery of Art
Temeridad de martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring a t Saragossa), Francisco Goya, in or before 1816Francisco de GoyaTemeridad de martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring a t Saragossa)in or before 1816National Gallery of Art
Dios los cria y ellos se juntan (God Creates Them and They Join Up Together), Francisco Goya, in or after 1816Francisco de GoyaDios los cria y ellos se juntan (God Creates Them and They Join Up Together)in or after 1816National Gallery of Art
El caballo raptor (The Horse-Abductor), Francisco Goya, in or after 1816Francisco de GoyaEl caballo raptor (The Horse-Abductor)in or after 1816National Gallery of Art
El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid), Francisco Goya, in or before 1816Francisco de GoyaEl mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid)in or before 1816National Gallery of Art
Señora Sabasa Garcia, Francisco Goya, c. 1806/1811Francisco de GoyaSeñora Sabasa Garciac. 1806/1811National Gallery of Art
Pepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte"), Francisco Goya, in or before 1816Francisco de GoyaPepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte")in or before 1816National Gallery of Art
Valor varonil de la celebre Pajuelera en la de Zaragoza (Manly Courage of the Celebrated Pajuelera in the Ring at Saragossa), Francisco Goya, in or before 1816Francisco de GoyaValor varonil de la celebre Pajuelera en la de Zaragoza (Manly Courage of the Celebrated Pajuelera in the Ring at Saragossa)in or before 1816National Gallery of Art
La desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid), Francisco Goya, in or before 1816Francisco de GoyaLa desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid)in or before 1816National Gallery of Art
Cogida de un moro estando en la plaza  (A Moor Caught by the Bull in the Ring), Francisco Goya, in or before 1816Francisco de GoyaCogida de un moro estando en la plaza (A Moor Caught by the Bull in the Ring)in or before 1816National Gallery of Art
Disparate desordenado (Disorderly Folly), Francisco Goya, in or after 1816Francisco de GoyaDisparate desordenado (Disorderly Folly)in or after 1816National Gallery of Art
No se puede saber por que (One Can't Tell Why), Francisco Goya, 1810/1820Francisco de GoyaNo se puede saber por que (One Can't Tell Why)1810/1820National Gallery of Art
Palenque de los moros hecho con burros para defenderse del toro embolado (The Moors Use Donkeys as a Barrier to Defend Themselves against the Bull Whose Horns have been Tipped with Balls), Francisco Goya, in or before 1816Francisco de GoyaPalenque de los moros hecho con burros para defenderse del toro embolado (The Moors Use Donkeys as a Barrier to Defend Themselves against the Bull Whose Horns have been Tipped with Balls)in or before 1816National Gallery of Art
Dios se lo pague a vsted (May God Repay You), Francisco Goya, probably c. 1804Francisco de GoyaDios se lo pague a vsted (May God Repay You)probably c. 1804National Gallery of Art
Disparate desordenado (Disorderly Folly), Francisco Goya, in or after 1816Francisco de GoyaDisparate desordenado (Disorderly Folly)in or after 1816National Gallery of Art
Banderillas de fuego (Banderillas with Firecrackers), Francisco Goya, in or before 1816Francisco de GoyaBanderillas de fuego (Banderillas with Firecrackers)in or before 1816National Gallery of Art
El celebre Fernando del Toro, barilarguero, obligando a la fiera con su garrocha (The celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with His Pique), Francisco Goya, in or before 1816Francisco de GoyaEl celebre Fernando del Toro, barilarguero, obligando a la fiera con su garrocha (The celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with His Pique)in or before 1816National Gallery of Art
Bobalicon (Simpleton), Francisco Goya, in or after 1816Francisco de GoyaBobalicon (Simpleton)in or after 1816National Gallery of Art
Disparate volante (Flying Folly), Francisco Goya, in or after 1816Francisco de GoyaDisparate volante (Flying Folly)in or after 1816National Gallery of Art
Disparate ridiculo (Ridiculous Folly), Francisco Goya, in or after 1816Francisco de GoyaDisparate ridiculo (Ridiculous Folly)in or after 1816National Gallery of Art
Nada (Nothing), Francisco Goya, 1810/1820Francisco de GoyaNada (Nothing)1810/1820National Gallery of Art
Caida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls under the Bull), Francisco Goya, in or before 1816Francisco de GoyaCaida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls under the Bull)in or before 1816National Gallery of Art
Sanan cuchilladas mas no malas palabras (Wounds Heal Quicker than Hasty Words), Francisco Goya, in or after 1816Francisco de GoyaSanan cuchilladas mas no malas palabras (Wounds Heal Quicker than Hasty Words)in or after 1816National Gallery of Art
Disparate de miedo (Folly of Fear), Francisco Goya, in or after 1816Francisco de GoyaDisparate de miedo (Folly of Fear)in or after 1816National Gallery of Art
Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms), Francisco Goya, in or before 1816Francisco de GoyaDesjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms)in or before 1816National Gallery of Art
Disparate de Carnabal (Carnival Folly), Francisco Goya, in or after 1816Francisco de GoyaDisparate de Carnabal (Carnival Folly)in or after 1816National Gallery of Art
Disparate pobre (Poor Folly), Francisco Goya, in or after 1816Francisco de GoyaDisparate pobre (Poor Folly)in or after 1816National Gallery of Art
Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Tor rejon (Dreadful events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon), Francisco Goya, in or before 1816Francisco de GoyaDesgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Tor rejon (Dreadful events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon)in or before 1816National Gallery of Art
Modo de volar (A Way of Flying), Francisco Goya, in or after 1816Francisco de GoyaModo de volar (A Way of Flying)in or after 1816National Gallery of Art
Un caballero espanol mata un toro despues de haber perdido el caballo (A Spanish Knight Kills the Bull after Having Lost His Horse), Francisco Goya, in or before 1816Francisco de GoyaUn caballero espanol mata un toro despues de haber perdido el caballo (A Spanish Knight Kills the Bull after Having Lost His Horse)in or before 1816National Gallery of Art
Los ensacados (The Men in Sacks), Francisco Goya, in or after 1816Francisco de GoyaLos ensacados (The Men in Sacks)in or after 1816National Gallery of Art
Disparate claro (Clear Folly), Francisco Goya, in or after 1816Francisco de GoyaDisparate claro (Clear Folly)in or after 1816National Gallery of Art
Don Antonio Noriega, Francisco Goya, 1801Francisco de GoyaDon Antonio Noriega1801Gallery 52 · West Building, Main FloorNational Gallery of Art
Disparate conocido (Well-Known Folly), Francisco Goya, in or after 1816Francisco de GoyaDisparate conocido (Well-Known Folly)in or after 1816National Gallery of Art
El esforzado Rendon picando un toro, de cuya suerte murio en plaza de Madrid (The Forceful Rendon Stabs a Bull with the Pique, from Which Pass He Died in the Ring at Madrid), Francisco Goya, in or before 1816Francisco de GoyaEl esforzado Rendon picando un toro, de cuya suerte murio en plaza de Madrid (The Forceful Rendon Stabs a Bull with the Pique, from Which Pass He Died in the Ring at Madrid)in or before 1816National Gallery of Art
Picador Caught by a Bull, Francisco Goya, 1825Francisco de GoyaPicador Caught by a Bull1825National Gallery of Art
El diestrisimo estudiante de Falces, embozadoburla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body), Francisco Goya, in or before 1816Francisco de GoyaEl diestrisimo estudiante de Falces, embozadoburla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body)in or before 1816National Gallery of Art
Mendigos que se llevan solos en Bordeaux (Beggars Who Get about on Their Own in Bordeaux), Francisco Goya, 1824/1827Francisco de GoyaMendigos que se llevan solos en Bordeaux (Beggars Who Get about on Their Own in Bordeaux)1824/1827National Gallery of Art
Modo con que los antiguos Espanoles cazaban los toros a caballo en el campo (The Way  in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country), Francisco Goya, in or before 1816Francisco de GoyaModo con que los antiguos Espanoles cazaban los toros a caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country)in or before 1816National Gallery of Art
The Duke of Wellington, Workshop of Francisco Goya, c. 1812Francisco de GoyaThe Duke of Wellingtonc. 1812Gallery 52 · West Building, Main FloorNational Gallery of Art
Bartolomé Sureda y Miserol, Francisco Goya, c. 1803/1804Francisco de GoyaBartolomé Sureda y Miserolc. 1803/1804Gallery 52 · West Building, Main FloorNational Gallery of Art
Victor Guye, Francisco Goya, 1810Francisco de GoyaVictor Guye1810Gallery 52 · West Building, Main FloorNational Gallery of Art
Capean otro encerrado  (They Play Another with the Cape in an Enclosure), Francisco Goya, in or before 1816Francisco de GoyaCapean otro encerrado (They Play Another with the Cape in an Enclosure)in or before 1816National Gallery of Art
Mariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from His Horse), Francisco Goya, in or before 1816Francisco de GoyaMariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from His Horse)in or before 1816National Gallery of Art
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