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Collections: Art Institute of Chicago, Cooper Hewitt, Smithsonian Design Museum, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (44 museums), Paris Musées (12 museums), Joconde, the French Ministry of Culture's museum database (495 museums), and the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (25 museums). Images belong to their rights holders.

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The age of Rococo, 1720–1780

116,549 works from 388 museums2,246 on view nowClear

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Reclining female figure, left hand resting on globe, right arm raised in front of face, seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloReclining female figure, left hand resting on globe, right arm raised in front of face, seen from belowca. 1740–50Yale University Art Gallery
Reclining female figure seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloReclining female figure seen from belowca. 1740–50Yale University Art Gallery
Walking male figure seen obliquely from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloWalking male figure seen obliquely from belowca. 1740–50Yale University Art Gallery
Apotheosis of an Aged Warrior, for a ceiling in the Ca' Rezzonico, Venice, Giovanni Battista Tiepolo, ca. 1758Giovanni Battista TiepoloApotheosis of an Aged Warrior, for a ceiling in the Ca' Rezzonico, Veniceca. 1758Yale University Art Gallery
Death Giving Audience, from Vari capricci (Various Capriccios), Giovanni Battista Tiepolo, 1740–42, printed 1785 (second edition)Giovanni Battista TiepoloDeath Giving Audience, from Vari capricci (Various Capriccios)1740–42, printed 1785 (second edition)Yale University Art Gallery
Punchinello talking to the two magicians, from the series Scherzi di Fantasia, Giovanni Battista Tiepolo, ca. 1757Giovanni Battista TiepoloPunchinello talking to the two magicians, from the series Scherzi di Fantasiaca. 1757Yale University Art Gallery
Wooded Landscape with Two Country Carts and Figures, Thomas Gainsborough, 1779/1780Thomas GainsboroughWooded Landscape with Two Country Carts and Figures1779/1780National Gallery of Art
Mrs. John Taylor, Thomas Gainsborough, c. 1778Thomas GainsboroughMrs. John Taylorc. 1778National Gallery of Art
Male figure carrying a tray with fowl, seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloMale figure carrying a tray with fowl, seen from belowca. 1740–50Yale University Art Gallery
Young Soldier with Philosopher and Seated Woman, from the series Vari Capricci, Giovanni Battista Tiepolo, 1739–49Giovanni Battista TiepoloYoung Soldier with Philosopher and Seated Woman, from the series Vari Capricci1739–49Yale University Art Gallery
Landweg met geboomte en boerenkar, Thomas Gainsborough, 1765 - 1769Thomas GainsboroughLandweg met geboomte en boerenkar1765 - 1769Rijksmuseum
Woods Near a Village with Rabbit Catchers and Their Greyhounds, Thomas Gainsborough, late 1750sThomas GainsboroughWoods Near a Village with Rabbit Catchers and Their Greyhoundslate 1750sNational Gallery of Art
Male figure carrying a tray, seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloMale figure carrying a tray, seen from belowca. 1740–50Yale University Art Gallery
Drover with Calves in a Country Cart, Thomas Gainsborough, c. 1755Thomas GainsboroughDrover with Calves in a Country Cartc. 1755National Gallery of Art
Standing male figure seen obliquely from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloStanding male figure seen obliquely from belowca. 1740–50Yale University Art Gallery
Standing female figure seen from the back and from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloStanding female figure seen from the back and from belowca. 1740–50Yale University Art Gallery
Young Man Seated and Leaning on an Urn, from the series Vari Capricci, Giovanni Battista Tiepolo, 1740–50Giovanni Battista TiepoloYoung Man Seated and Leaning on an Urn, from the series Vari Capricci1740–50Yale University Art Gallery
Wooded Landscape with Two Country Carts and Figures, Thomas Gainsborough, 1779/1780, published 1797Thomas GainsboroughWooded Landscape with Two Country Carts and Figures1779/1780, published 1797National Gallery of Art
A Nymph with a Small Satyr and Two Goats, from Vari capricci (Various Capriccios), Giovanni Battista Tiepolo, 1740–42, printed 1785 (second edition)Giovanni Battista TiepoloA Nymph with a Small Satyr and Two Goats, from Vari capricci (Various Capriccios)1740–42, printed 1785 (second edition)Yale University Art Gallery
Three Soldiers and a Boy, from Vari capricci (Various Capriccios), Giovanni Battista Tiepolo, 1740–42, printed 1785 (second edition)Giovanni Battista TiepoloThree Soldiers and a Boy, from Vari capricci (Various Capriccios)1740–42, printed 1785 (second edition)Yale University Art Gallery
Woman Kneeling and Holding a Dish, from the series Scherzi, Giovanni Battista Tiepolo, 1750–60Giovanni Battista TiepoloWoman Kneeling and Holding a Dish, from the series Scherzi1750–60Yale University Art Gallery
Reclining male nude with right hand resting on a stone tablet, seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloReclining male nude with right hand resting on a stone tablet, seen from belowca. 1740–50Yale University Art Gallery
L'incontro di Anzia e Abrocome alle feste di Diana, Giovanni Battista Tiepolo, 1744Giovanni Battista TiepoloL'incontro di Anzia e Abrocome alle feste di Diana1744Gallerie dell'Accademia
Capricci, Giovanni Battista Tiepolo, 1749Giovanni Battista TiepoloCapricci1749Galleria Sabauda
Reclining male figure seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloReclining male figure seen from belowca. 1740–50Yale University Art Gallery
Thalia and Melpomene, the Muses of Comedy and Tragedy, Giovanni Battista Tiepolo, 1750Giovanni Battista TiepoloThalia and Melpomene, the Muses of Comedy and Tragedy1750Yale University Art Gallery
Study for the fresco Industry Triumphing over Idleness, at the Villa Lochi al Biron, Giovanni Battista Tiepolo, ca. 1734Giovanni Battista TiepoloStudy for the fresco Industry Triumphing over Idleness, at the Villa Lochi al Bironca. 1734Yale University Art Gallery
Seated figure with head turned to the left and right arm raised, seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloSeated figure with head turned to the left and right arm raised, seen from belowca. 1740–50Yale University Art Gallery
A Woman with Her Arms in Chains and Four Other Figures, from Vari capricci (Various Capriccios), Giovanni Battista Tiepolo, 1740–42, printed 1785 (second edition)Giovanni Battista TiepoloA Woman with Her Arms in Chains and Four Other Figures, from Vari capricci (Various Capriccios)1740–42, printed 1785 (second edition)Yale University Art Gallery
The Astrologer and the Young Soldier, from Vari capricci (Various Capriccios), Giovanni Battista Tiepolo, 1740–42, printed 1785 (second edition)Giovanni Battista TiepoloThe Astrologer and the Young Soldier, from Vari capricci (Various Capriccios)1740–42, printed 1785 (second edition)Yale University Art Gallery
Standing Woman and Seated Man Before an Obelisk, from the series Vari Capricci, Giovanni Battista Tiepolo, 1739–49Giovanni Battista TiepoloStanding Woman and Seated Man Before an Obelisk, from the series Vari Capricci1739–49Yale University Art Gallery
Seated Youth Leaning against an Urn, from Vari capricci (Various Capriccios), Giovanni Battista Tiepolo, 1740–42, printed 1785 (second edition)Giovanni Battista TiepoloSeated Youth Leaning against an Urn, from Vari capricci (Various Capriccios)1740–42, printed 1785 (second edition)Yale University Art Gallery
Adoration of the Magi, Giovanni Battista Tiepolo, 1753–57Giovanni Battista TiepoloAdoration of the Magi1753–57Yale University Art Gallery
Two Soldiers and Two Women, from Vari capricci (Various Capriccios), Giovanni Battista Tiepolo, 1740–42, printed 1785 (second edition)Giovanni Battista TiepoloTwo Soldiers and Two Women, from Vari capricci (Various Capriccios)1740–42, printed 1785 (second edition)Yale University Art Gallery
Standing male figure seen from behind, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloStanding male figure seen from behindca. 1740–50Yale University Art Gallery
Il trasporto della Santa Casa di Loreto, Giovanni Battista Tiepolo, 1743Giovanni Battista TiepoloIl trasporto della Santa Casa di Loreto1743Gallerie dell'Accademia
The Apotheosis of Saint Roch, Giovanni Battista Tiepolo, ca. 1740–45Giovanni Battista TiepoloThe Apotheosis of Saint Rochca. 1740–452nd floor, European ArtYale University Art Gallery
Landscape with Cattle by a Cottage, Thomas Gainsborough, late 1770sThomas GainsboroughLandscape with Cattle by a Cottagelate 1770sNational Gallery of Art
Polymnia, the Muse of Sacred Hymn, Giovanni Battista Tiepolo, 1750Giovanni Battista TiepoloPolymnia, the Muse of Sacred Hymn1750Yale University Art Gallery
Mrs. Paul Cobb Methuen, Thomas Gainsborough, c. 1776/1777Thomas GainsboroughMrs. Paul Cobb Methuenc. 1776/1777National Gallery of Art
The Hon. Mrs. Thomas Graham, Thomas Gainsborough, c. 1775/1777Thomas GainsboroughThe Hon. Mrs. Thomas Grahamc. 1775/1777Gallery 58 · West Building, Main FloorNational Gallery of Art
Master John Heathcote, Thomas Gainsborough, c. 1771/1772Thomas GainsboroughMaster John Heathcotec. 1771/1772Gallery 58 · West Building, Main FloorNational Gallery of Art
Standing Philosopher and Two Other Figures, from Vari capricci (Various Capriccios), Giovanni Battista Tiepolo, 1740–42, printed 1785 (second edition)Giovanni Battista TiepoloStanding Philosopher and Two Other Figures, from Vari capricci (Various Capriccios)1740–42, printed 1785 (second edition)Yale University Art Gallery
The Rider Standing by His Horse, from Vari capricci (Various Capriccios), Giovanni Battista Tiepolo, 1740–42, printed 1785 (second edition)Giovanni Battista TiepoloThe Rider Standing by His Horse, from Vari capricci (Various Capriccios)1740–42, printed 1785 (second edition)Yale University Art Gallery
A Woman with Her Hands on a Vase, a Soldier, and a Slave, from Vari capricci (Various Capriccios), Giovanni Battista Tiepolo, 1740–42, printed 1785 (second edition)Giovanni Battista TiepoloA Woman with Her Hands on a Vase, a Soldier, and a Slave, from Vari capricci (Various Capriccios)1740–42, printed 1785 (second edition)Yale University Art Gallery
Six Studies of a Cat, Thomas Gainsborough, c. 1763 - c. 1769Thomas GainsboroughSix Studies of a Catc. 1763 - c. 1769Rijksmuseum
Landschap met een groep reizigers onder een grote boom langs een bospad, Thomas Gainsborough, 1753 - 1759Thomas GainsboroughLandschap met een groep reizigers onder een grote boom langs een bospad1753 - 1759Rijksmuseum
Santi Fedele da Sigmaringen e Giuseppe da Leonessa che calpestano l'Eresia, Giovanni Battista Tiepolo, 1752–1758Giovanni Battista TiepoloSanti Fedele da Sigmaringen e Giuseppe da Leonessa che calpestano l'Eresia1752–1758Galleria nazionale di Parma
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