ART WIKI37,906 on view
MapCollectionArtistsMuseumsExhibitionsJournal
Sign in

ART WIKI

Where to see art and when to visit.

Collections: Art Institute of Chicago, Cooper Hewitt, Smithsonian Design Museum, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (44 museums), Paris Musées (12 museums), Joconde, the French Ministry of Culture's museum database (495 museums), and the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (74 museums). Images belong to their rights holders.

Sections

  • Map
  • Search
  • Collection
  • Masterpieces
  • Stolen and lost
  • Embed artwork status
  • On view now
  • Artists

More

  • Museums & galleries
  • Exhibitions
  • Journal
  • Where the data comes from
  • Privacy & cookies
  • About
  • Terms of use
HomeMapBrowse

Browse

Post-war art, 1945–1975

225,600 works from 486 museums1,980 on view nowClear

/
Gray Instrumentation I, Josef Albers, 1974Josef AlbersGray Instrumentation I1974The Museum of Modern Art
Wide Light from Homage to the Square: Ten Works by Josef Albers, Josef Albers, 1962Josef AlbersWide Light from Homage to the Square: Ten Works by Josef Albers1962The Museum of Modern Art
Portfolio 1, Folder 8 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 1, Folder 8 from Formulation: Articulation1972The Museum of Modern Art
Gray Instrumentation Id from Gray Instrumentation I, Josef Albers, 1974Josef AlbersGray Instrumentation Id from Gray Instrumentation I1974The Museum of Modern Art
White Embossings on Gray (WEG), Josef Albers, 1971Josef AlbersWhite Embossings on Gray (WEG)1971The Museum of Modern Art
Interlinear N 32 bl, Josef Albers, 1962Josef AlbersInterlinear N 32 bl1962The Museum of Modern Art
Portfolio 2, Folder 26 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 2, Folder 26 from Formulation: Articulation1972The Museum of Modern Art
Portfolio 2, Folder 21 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 2, Folder 21 from Formulation: Articulation1972The Museum of Modern Art
ELC 2-B from Embossed Linear Constructions (ELC), Josef Albers, 1969Josef AlbersELC 2-B from Embossed Linear Constructions (ELC)1969The Museum of Modern Art
Portfolio 2, Folder 14 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 2, Folder 14 from Formulation: Articulation1972The Museum of Modern Art
Patina from Homage to the Square: Ten Works by Josef Albers, Josef Albers, 1962Josef AlbersPatina from Homage to the Square: Ten Works by Josef Albers1962The Museum of Modern Art
ELC 1-C from Embossed Linear Constructions (ELC), Josef Albers, 1969Josef AlbersELC 1-C from Embossed Linear Constructions (ELC)1969The Museum of Modern Art
I-S LXXIIb Homage to the Square and I-S LXXIIa Homage to the Square, Josef Albers, 1972Josef AlbersI-S LXXIIb Homage to the Square and I-S LXXIIa Homage to the Square1972The Museum of Modern Art
Portfolio 2, Folder 23 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 2, Folder 23 from Formulation: Articulation1972The Museum of Modern Art
Portfolio 1, Folder 31 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 1, Folder 31 from Formulation: Articulation1972The Museum of Modern Art
Duo B, Josef Albers, 1958Josef AlbersDuo B1958The Museum of Modern Art
Portfolio 1, Folder 32 from Formulation: Articulation Portfolio 1, Folder 32 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 1, Folder 32 from Formulation: Articulation Portfolio 1, Folder 32 from Formulation: Articulation1972The Museum of Modern Art
Portfolio 1, Folder 28 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 1, Folder 28 from Formulation: Articulation1972The Museum of Modern Art
ELC 1-D from Embossed Linear Constructions (ELC), Josef Albers, 1969Josef AlbersELC 1-D from Embossed Linear Constructions (ELC)1969The Museum of Modern Art
WEG IV from White Embossings on Gray (WEG), Josef Albers, 1971Josef AlbersWEG IV from White Embossings on Gray (WEG)1971The Museum of Modern Art
Gray Instrumentation Ia from Gray Instrumentation I, Josef Albers, 1974Josef AlbersGray Instrumentation Ia from Gray Instrumentation I1974The Museum of Modern Art
Portfolio 2, Folder 33 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 2, Folder 33 from Formulation: Articulation1972The Museum of Modern Art
Gray Instrumentation Ij from Gray Instrumentation I, Josef Albers, 1974Josef AlbersGray Instrumentation Ij from Gray Instrumentation I1974The Museum of Modern Art
Day + Night VI from Day and Night: Homage to the Square, Josef Albers, 1963Josef AlbersDay + Night VI from Day and Night: Homage to the Square1963The Museum of Modern Art
WEG X from White Embossings on Gray (WEG), Josef Albers, 1971Josef AlbersWEG X from White Embossings on Gray (WEG)1971The Museum of Modern Art
ELC 1-A from Embossed Linear Constructions (ELC), Josef Albers, 1969Josef AlbersELC 1-A from Embossed Linear Constructions (ELC)1969The Museum of Modern Art
Gray Instrumentation Ib from Gray Instrumentation I, Josef Albers, 1974Josef AlbersGray Instrumentation Ib from Gray Instrumentation I1974The Museum of Modern Art
Day + Night III from Day and Night: Homage to the Square, Josef Albers, 1963Josef AlbersDay + Night III from Day and Night: Homage to the Square1963The Museum of Modern Art
Midnight + Noon I from Midnight and Noon, Josef Albers, 1964Josef AlbersMidnight + Noon I from Midnight and Noon1964The Museum of Modern Art
Portfolio 1, Folder 17 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 1, Folder 17 from Formulation: Articulation1972The Museum of Modern Art
Gray Instrumentation Ii from Gray Instrumentation I, Josef Albers, 1974Josef AlbersGray Instrumentation Ii from Gray Instrumentation I1974The Museum of Modern Art
WEG I from White Embossings on Gray (WEG), Josef Albers, 1971Josef AlbersWEG I from White Embossings on Gray (WEG)1971The Museum of Modern Art
WLS IX from White Line Square (Series II), Josef Albers, 1966Josef AlbersWLS IX from White Line Square (Series II)1966The Museum of Modern Art
Portfolio 1, Folder 3 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 1, Folder 3 from Formulation: Articulation1972The Museum of Modern Art
Portfolio 1, Folder 2 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 1, Folder 2 from Formulation: Articulation1972The Museum of Modern Art
Shielded from Homage to the Square: Ten Works by Josef Albers, Josef Albers, 1962Josef AlbersShielded from Homage to the Square: Ten Works by Josef Albers1962The Museum of Modern Art
Midnight + Noon VIII from Midnight and Noon, Josef Albers, 1964Josef AlbersMidnight + Noon VIII from Midnight and Noon1964The Museum of Modern Art
MM 3, Josef Albers, 1961Josef AlbersMM 31961The Museum of Modern Art
Midnight + Noon III from Midnight and Noon, Josef Albers, 1964Josef AlbersMidnight + Noon III from Midnight and Noon1964The Museum of Modern Art
Variant MM, Josef Albers, 1968Josef AlbersVariant MM1968The Museum of Modern Art
WLS XIV from White Line Squares (Series II), Josef Albers, 1966Josef AlbersWLS XIV from White Line Squares (Series II)1966The Museum of Modern Art
Portfolio 2, Folder 31 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 2, Folder 31 from Formulation: Articulation1972The Museum of Modern Art
Day + Night I from Day and Night: Homage to the Square, Josef Albers, 1963Josef AlbersDay + Night I from Day and Night: Homage to the Square1963The Museum of Modern Art
WLS X from White Line Squares (Series II), Josef Albers, 1966Josef AlbersWLS X from White Line Squares (Series II)1966The Museum of Modern Art
Portfolio 1, Folder 27 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 1, Folder 27 from Formulation: Articulation1972The Museum of Modern Art
Portfolio 2, Folder 9 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 2, Folder 9 from Formulation: Articulation1972The Museum of Modern Art
ELC 2-D from Embossed Linear Constructions (ELC), Josef Albers, 1969Josef AlbersELC 2-D from Embossed Linear Constructions (ELC)1969The Museum of Modern Art
Portfolio 1, Folder 19 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 1, Folder 19 from Formulation: Articulation1972The Museum of Modern Art
194