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Collections: Art Institute of Chicago, Cooper Hewitt, Smithsonian Design Museum, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (44 museums), Paris Musées (12 museums), Joconde, the French Ministry of Culture's museum database (495 museums), and the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (25 museums). Images belong to their rights holders.

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The age of Impressionism, 1860–1905

409,850 works from 654 museums3,481 on view nowClear

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Murió la verdad (Truth Has Died), Plate 79 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaMurió la verdad (Truth Has Died), Plate 79 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Otra locura suya en la misma plaza (Another Madness of his in the Same Ring), Plate 19 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaOtra locura suya en la misma plaza (Another Madness of his in the Same Ring), Plate 19 from La tauromaquia1876Yale University Art Gallery
Mariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from his Horse), Plate 23 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaMariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from his Horse), Plate 23 from La tauromaquia1876Yale University Art Gallery
Esta no lo es menos (This Is Not Less So), Plate 67 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaEsta no lo es menos (This Is Not Less So), Plate 67 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Sanos y enfermos (The Healthy and the Sick), Plate 57 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaSanos y enfermos (The Healthy and the Sick), Plate 57 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Lo merecia (He Deserved It), Plate 29 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaLo merecia (He Deserved It), Plate 29 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
El animoso Moro Gazul es el primero que lanceó toros en regla. (The Spirited Moor Gazul is the First to Spear Bulls According to the Rules), Plate 5 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaEl animoso Moro Gazul es el primero que lanceó toros en regla. (The Spirited Moor Gazul is the First to Spear Bulls According to the Rules), Plate 5 from La tauromaquia1876Yale University Art Gallery
Carretadas al cementerio (Cartloads to the Cemetery), Plate 64 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaCarretadas al cementerio (Cartloads to the Cemetery), Plate 64 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid), Plate 24 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaEl mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid), Plate 24 from La tauromaquia1876Yale University Art Gallery
Farándula de charlatanes (Charlatans’ Show), Plate 75 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaFarándula de charlatanes (Charlatans’ Show), Plate 75 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Torrejón (Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejón), Plate 21 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaDesgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Torrejón (Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejón), Plate 21 from La tauromaquia1876Yale University Art Gallery
Capean otro encerrado (They Play Another with the Cape in the Enclosure), Plate 4 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaCapean otro encerrado (They Play Another with the Cape in the Enclosure), Plate 4 from La tauromaquia1876Yale University Art Gallery
Un caballero español en plaza quebrando rejoncillos sin auxilio de los chulos (A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants), Plate 13 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaUn caballero español en plaza quebrando rejoncillos sin auxilio de los chulos (A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants), Plate 13 from La tauromaquia1876Yale University Art Gallery
Ya no hay tiempo (There Isn't Time Now), Plate 19 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaYa no hay tiempo (There Isn't Time Now), Plate 19 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Si resucitará? (Will She Rise Again?), Plate 80 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaSi resucitará? (Will She Rise Again?), Plate 80 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Por que [sic]? (Why?), Plate 32 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaPor que [sic]? (Why?), Plate 32 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms), Plate 12 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaDesjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms), Plate 12 from La tauromaquia1876Yale University Art Gallery
Combat dans une voiture attelee de deux mulets (Fight in a Carriage Harnessed to Two Mules), Plate G from La tauromaquia (third edition), Francisco Goya, 1876Francisco de GoyaCombat dans une voiture attelee de deux mulets (Fight in a Carriage Harnessed to Two Mules), Plate G from La tauromaquia (third edition)1876Yale University Art Gallery
Lo peor es pedir (The Worst Is to Beg), Plate 55 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaLo peor es pedir (The Worst Is to Beg), Plate 55 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Será lo mismo (It Will Be the Same), Plate 21 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaSerá lo mismo (It Will Be the Same), Plate 21 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos (A Spanish Mounted Knight Breaking Short Spears with the Help of his Assistants), Plate A from La tauromaquia (third edition), Francisco Goya, 1876Francisco de GoyaUn cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos (A Spanish Mounted Knight Breaking Short Spears with the Help of his Assistants), Plate A from La tauromaquia (third edition)1876Yale University Art Gallery
Curarlos, y á otra (Get Them Well, and On to the Next), Plate 20 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaCurarlos, y á otra (Get Them Well, and On to the Next), Plate 20 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Esto es malo (This is Bad), Plate 46 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaEsto es malo (This is Bad), Plate 46 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
El diestrísmo estudiante de Falces, embozado burla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body), Plate 14 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaEl diestrísmo estudiante de Falces, embozado burla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body), Plate 14 from La tauromaquia1876Yale University Art Gallery
Extraña devocion! (Strange Devotion!), Plate 66 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaExtraña devocion! (Strange Devotion!), Plate 66 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Por una nabaja [sic] (On Account of a Knife), Plate 34 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaPor una nabaja [sic] (On Account of a Knife), Plate 34 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
No llegan á tiempo (They Do Not Arrive in Time), Plate 52 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaNo llegan á tiempo (They Do Not Arrive in Time), Plate 52 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Lo mismo en otras partes (The Same Elsewhere), Plate 23 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaLo mismo en otras partes (The Same Elsewhere), Plate 23 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Las resultas (The Consequences), Plate 72 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaLas resultas (The Consequences), Plate 72 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
El esforzado Rendon picando un toro, de cuya suerte murió en la plaza de Madrid (The Forceful Rendon Stabs a Bull with the Pique, from which Pass He Died in the Ring of Madrid), Plate 28 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaEl esforzado Rendon picando un toro, de cuya suerte murió en la plaza de Madrid (The Forceful Rendon Stabs a Bull with the Pique, from which Pass He Died in the Ring of Madrid), Plate 28 from La tauromaquia1876Yale University Art Gallery
Contra el bien general (Against the Common Good), Plate 71 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaContra el bien general (Against the Common Good), Plate 71 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Les chiens laches sur le taureau (The Dogs Let Loose on the Bull), Plate C from La tauromaquia (third edition), Francisco Goya, 1876Francisco de GoyaLes chiens laches sur le taureau (The Dogs Let Loose on the Bull), Plate C from La tauromaquia (third edition)1876Yale University Art Gallery
Clamores en vano (Appeals Are in Vain), Plate 54 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaClamores en vano (Appeals Are in Vain), Plate 54 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
No se convienen (They Do Not Agree), Plate 17 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaNo se convienen (They Do Not Agree), Plate 17 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Gracias á la almorta (Thanks to the Millet), Plate 51 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaGracias á la almorta (Thanks to the Millet), Plate 51 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
De qué sirve una taza? (What Is the Use of a Cup?), Plate 59 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaDe qué sirve una taza? (What Is the Use of a Cup?), Plate 59 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Caridad (Charity), Plate 27 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaCaridad (Charity), Plate 27 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
No se puede mirar (One Can’t Look), Plate 26 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaNo se puede mirar (One Can’t Look), Plate 26 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Pepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte"), Plate 29 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaPepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte"), Plate 29 from La tauromaquia1876Yale University Art Gallery
Pedro Romero matandó a toro parado (Pedro Romero Killing the Halted Bull), Plate 30 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaPedro Romero matandó a toro parado (Pedro Romero Killing the Halted Bull), Plate 30 from La tauromaquia1876Yale University Art Gallery
El mismo vuelca un toro en la plaza de Madrid (The Same Man Throws a Bull in the Ring at Madrid), Plate 16 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaEl mismo vuelca un toro en la plaza de Madrid (The Same Man Throws a Bull in the Ring at Madrid), Plate 16 from La tauromaquia1876Yale University Art Gallery
Fuerte cosa es! (That’s Tough!), Plate 31 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaFuerte cosa es! (That’s Tough!), Plate 31 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Tambien estos (These Too), Plate 25 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaTambien estos (These Too), Plate 25 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Yo lo vi (I Saw It), Plate 44 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaYo lo vi (I Saw It), Plate 44 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Modo con que los antiguos Españoles cazaban los toros á caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country), Plate 1 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaModo con que los antiguos Españoles cazaban los toros á caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country), Plate 1 from La tauromaquia1876Yale University Art Gallery
No se puede saber por que [sic] (One Can’t Tell Why), Plate 35 from Los desastres de la guerra (The Disasters of War)., Francisco Goya, 1863Francisco de GoyaNo se puede saber por que [sic] (One Can’t Tell Why), Plate 35 from Los desastres de la guerra (The Disasters of War).1863Yale University Art Gallery
Esto es peor (This is Worse), Plate 37 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaEsto es peor (This is Worse), Plate 37 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Un torero monte sur les epaules dún chulo 'lanceado'un taureau (A Bullfigher, Mounted on the Shoulder of an Assistant, Spearing a Bull), Plate D from La tauromaquia (third edition), Francisco Goya, 1876Francisco de GoyaUn torero monte sur les epaules dún chulo 'lanceado'un taureau (A Bullfigher, Mounted on the Shoulder of an Assistant, Spearing a Bull), Plate D from La tauromaquia (third edition)1876Yale University Art Gallery
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