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Collections: Art Institute of Chicago, Cooper Hewitt, Smithsonian Design Museum, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (44 museums), Paris Musées (12 museums), Joconde, the French Ministry of Culture's museum database (495 museums), and the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (25 museums). Images belong to their rights holders.

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The age of Impressionism, 1860–1905

409,850 works from 654 museums3,481 on view nowClear

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Front and back covers printed on the same sheet for a collection of love letters / stories (number 12), José Guadalupe Posada, ca. 1898José Guadalupe PosadaFront and back covers printed on the same sheet for a collection of love letters / stories (number 12)ca. 1898The Metropolitan Museum of Art
A pair of young men dancing for a crowd of older people, José Guadalupe Posada, ca. 1880–1910  (a later impression)José Guadalupe PosadaA pair of young men dancing for a crowd of older peopleca. 1880–1910 (a later impression)The Metropolitan Museum of Art
A man bending down to look at a woman with a sign on her back, illustration for 'El Abanico (The Admirer)', José Guadalupe Posada, ca. 1880–1910 (a later impression)José Guadalupe PosadaA man bending down to look at a woman with a sign on her back, illustration for 'El Abanico (The Admirer)'ca. 1880–1910 (a later impression)The Metropolitan Museum of Art
Plate 7: suicide of an invidious plutocrat, José Guadalupe Posada, ca. 1894José Guadalupe PosadaPlate 7: suicide of an invidious plutocratca. 1894The Metropolitan Museum of Art
A group of mother-in-laws flanked by two men, José Guadalupe Posada, ca. 1880–1910José Guadalupe PosadaA group of mother-in-laws flanked by two menca. 1880–1910The Metropolitan Museum of Art
A print shop with a printer handing something to a gentleman, from the broadside 'Imprenta de A. Vanegas Arroyo', José Guadalupe Posada, ca. 1898 (a later impression)José Guadalupe PosadaA print shop with a printer handing something to a gentleman, from the broadside 'Imprenta de A. Vanegas Arroyo'ca. 1898 (a later impression)The Metropolitan Museum of Art
A woman pointing to a book on a desk with a skeleton underneath, José Guadalupe Posada, ca. 1880–1910 (a later impression)José Guadalupe PosadaA woman pointing to a book on a desk with a skeleton underneathca. 1880–1910 (a later impression)The Metropolitan Museum of Art
A male and female skeleton talking (vignette for the feast of the dead), José Guadalupe Posada, ca. 1890–1910José Guadalupe PosadaA male and female skeleton talking (vignette for the feast of the dead)ca. 1890–1910The Metropolitan Museum of Art
Two elegantly dressed skeletons walking, from a broadside entitled, 'El Gran Panteon Amoroso,' published by Antonio Vanegas Arroyo., José Guadalupe Posada, ca. 1894José Guadalupe PosadaTwo elegantly dressed skeletons walking, from a broadside entitled, 'El Gran Panteon Amoroso,' published by Antonio Vanegas Arroyo.ca. 1894The Metropolitan Museum of Art
A woman yelling at a man with his arms raised, José Guadalupe Posada, ca. 1880–1910  (a later impression)José Guadalupe PosadaA woman yelling at a man with his arms raisedca. 1880–1910 (a later impression)The Metropolitan Museum of Art
Cover for 'Olas que el Viento Arrastran para 1901', a man serenading a woman in a row boat, José Guadalupe Posada, ca. 1901José Guadalupe PosadaCover for 'Olas que el Viento Arrastran para 1901', a man serenading a woman in a row boatca. 1901The Metropolitan Museum of Art
Don Chepito witnessing a boxing match between two men (one black, the other white), José Guadalupe Posada, ca. 1896José Guadalupe PosadaDon Chepito witnessing a boxing match between two men (one black, the other white)ca. 1896The Metropolitan Museum of Art
Page from the 'Gaceta Callejera' relating to the continuation of anti re-election riots, José Guadalupe Posada, 1892José Guadalupe PosadaPage from the 'Gaceta Callejera' relating to the continuation of anti re-election riots1892The Metropolitan Museum of Art
Cover for 'Juan Pico de Oro', a man in a pulpit addressing a crowd before him, José Guadalupe Posada, ca. 1880–1910José Guadalupe PosadaCover for 'Juan Pico de Oro', a man in a pulpit addressing a crowd before himca. 1880–1910The Metropolitan Museum of Art
A man in a wide stance with his arms at his side, José Guadalupe Posada, ca. 1880–1910 (a later impression)José Guadalupe PosadaA man in a wide stance with his arms at his sideca. 1880–1910 (a later impression)The Metropolitan Museum of Art
Broadsheet relating to the story of a falling meteor that was interpreted by Catholics as God's punishment to the people of the town of Alamos for their poor reception of Bishop Pedro Moreno, José Guadalupe Posada, 1903José Guadalupe PosadaBroadsheet relating to the story of a falling meteor that was interpreted by Catholics as God's punishment to the people of the town of Alamos for their poor reception of Bishop Pedro Moreno1903The Metropolitan Museum of Art
A small boy being fed to vultures, an illustration to 'The King and His Three Sons', José Guadalupe Posada, ca. 1880–1910  (a later impression)José Guadalupe PosadaA small boy being fed to vultures, an illustration to 'The King and His Three Sons'ca. 1880–1910 (a later impression)The Metropolitan Museum of Art
The grand electric skeleton, a large skeleton is hypnotizing a group of skulls and a sitting skeleton, an electric street car in the background, José Guadalupe Posada, 1900José Guadalupe PosadaThe grand electric skeleton, a large skeleton is hypnotizing a group of skulls and a sitting skeleton, an electric street car in the background1900The Metropolitan Museum of Art
A man standing in front of three monuments, José Guadalupe Posada, ca 1890–1910José Guadalupe PosadaA man standing in front of three monumentsca 1890–1910The Metropolitan Museum of Art
A snake with a woman's head slithering towards a scared man, an illustration from 'The Ballad of the Snake Woman' (reprinted 1930), José Guadalupe Posada, ca. 1899 (a later impression)José Guadalupe PosadaA snake with a woman's head slithering towards a scared man, an illustration from 'The Ballad of the Snake Woman' (reprinted 1930)ca. 1899 (a later impression)The Metropolitan Museum of Art
A pair of workers atop a pile of rubble and other workers watching them, José Guadalupe Posada, ca. 1880–1910José Guadalupe PosadaA pair of workers atop a pile of rubble and other workers watching themca. 1880–1910The Metropolitan Museum of Art
Broadsheet relating to the death of a torero named Ponciano Diaz who is portrayed, José Guadalupe Posada, ca. 1890José Guadalupe PosadaBroadsheet relating to the death of a torero named Ponciano Diaz who is portrayedca. 1890The Metropolitan Museum of Art
Cover for 'Un Casamiento de Indios', a wedding procession following a bride and groom, José Guadalupe Posada, ca. 1890–1910José Guadalupe PosadaCover for 'Un Casamiento de Indios', a wedding procession following a bride and groomca. 1890–1910The Metropolitan Museum of Art
A skeleton frightening a man holding newspapers, José Guadalupe Posada, ca. 1880–1910 (a later impression)José Guadalupe PosadaA skeleton frightening a man holding newspapersca. 1880–1910 (a later impression)The Metropolitan Museum of Art
Broadside relating to Aurelio Cabellero who died from vomiting, José Guadalupe Posada, ca. 1890–1900José Guadalupe PosadaBroadside relating to Aurelio Cabellero who died from vomitingca. 1890–1900The Metropolitan Museum of Art
Siamese Twins, José Guadalupe Posada, ca. 1880–1910José Guadalupe PosadaSiamese Twinsca. 1880–1910The Metropolitan Museum of Art
Broadsheet relating to womanizers who are standing on a corner looking up at a woman on a balcony, José Guadalupe Posada, ca.1904José Guadalupe PosadaBroadsheet relating to womanizers who are standing on a corner looking up at a woman on a balconyca.1904The Metropolitan Museum of Art
A skeleton wearing a hat, holding newspapers and running, José Guadalupe Posada, ca. 1880–1910José Guadalupe PosadaA skeleton wearing a hat, holding newspapers and runningca. 1880–1910The Metropolitan Museum of Art
Broadsheet relating to the apparition of a comet  in Mexico in November 1899, and the words to a song 'La Paloma Azul', José Guadalupe Posada, ca. 1899José Guadalupe PosadaBroadsheet relating to the apparition of a comet in Mexico in November 1899, and the words to a song 'La Paloma Azul'ca. 1899The Metropolitan Museum of Art
Chaos during an earthquake, José Guadalupe Posada, ca. 1894José Guadalupe PosadaChaos during an earthquakeca. 1894The Metropolitan Museum of Art
Broadsheet relating to freaks of nature, at right a creature that is half human and half pig with a single horn, José Guadalupe Posada, ca 1899José Guadalupe PosadaBroadsheet relating to freaks of nature, at right a creature that is half human and half pig with a single hornca 1899The Metropolitan Museum of Art
Broadside celebrating Cuba's victory over Spain in the Spanish American War, soldiers holding the Cuban flag and flanking the alleogorical figure of Cuba, José Guadalupe Posada, ca. 1900–1913José Guadalupe PosadaBroadside celebrating Cuba's victory over Spain in the Spanish American War, soldiers holding the Cuban flag and flanking the alleogorical figure of Cubaca. 1900–1913The Metropolitan Museum of Art
A man grabbing a woman by her sleeve and stabbing her, from a broadside entitled 'The murder of Leandra Martinez by her brother, Manuel', José Guadalupe Posada, ca. 1892José Guadalupe PosadaA man grabbing a woman by her sleeve and stabbing her, from a broadside entitled 'The murder of Leandra Martinez by her brother, Manuel'ca. 1892The Metropolitan Museum of Art
Broadside relating to a news story about floods in multiple cities, villagers wading through water, José Guadalupe Posada, ca. 1900–1913José Guadalupe PosadaBroadside relating to a news story about floods in multiple cities, villagers wading through waterca. 1900–1913The Metropolitan Museum of Art
The cross decorated with instruments of the passion of Christ, two weeping angels below, José Guadalupe Posada, ca. 1900–13José Guadalupe PosadaThe cross decorated with instruments of the passion of Christ, two weeping angels belowca. 1900–13The Metropolitan Museum of Art
The woman bull fighter, José Guadalupe Posada, ca. 1890–1910José Guadalupe PosadaThe woman bull fighterca. 1890–1910The Metropolitan Museum of Art
A domestic scene with a mother holding her child's hand while talking to her husband, José Guadalupe Posada, ca. 1880–1910  (a later impression)José Guadalupe PosadaA domestic scene with a mother holding her child's hand while talking to her husbandca. 1880–1910 (a later impression)The Metropolitan Museum of Art
A skeleton covered with a sheet crying in a cemetery, from a broadside entitled ' Calavera llorando el hueso', José Guadalupe Posada, ca. 1880–1910 (a later impression)José Guadalupe PosadaA skeleton covered with a sheet crying in a cemetery, from a broadside entitled ' Calavera llorando el hueso'ca. 1880–1910 (a later impression)The Metropolitan Museum of Art
Cover for 'La Rumba: Coleccion de Canciones Modernas para el Presente Año 1903', a conductor and a drummer performing on stage for an audience, José Guadalupe Posada, ca. 1903José Guadalupe PosadaCover for 'La Rumba: Coleccion de Canciones Modernas para el Presente Año 1903', a conductor and a drummer performing on stage for an audienceca. 1903The Metropolitan Museum of Art
Street fight between four men, José Guadalupe Posada, ca. 1880–1910José Guadalupe PosadaStreet fight between four menca. 1880–1910The Metropolitan Museum of Art
A group of men carrying a coffin with a cross, José Guadalupe Posada, ca. 1880–1910 (a later impression)José Guadalupe PosadaA group of men carrying a coffin with a crossca. 1880–1910 (a later impression)The Metropolitan Museum of Art
Discovery of two bodies, José Guadalupe Posada, ca. 1880–1910José Guadalupe PosadaDiscovery of two bodiesca. 1880–1910The Metropolitan Museum of Art
Cover for 'El Brindador Popular', a man raising a toast to a group of people seated around a table, José Guadalupe Posada, ca. 1880–1910José Guadalupe PosadaCover for 'El Brindador Popular', a man raising a toast to a group of people seated around a tableca. 1880–1910The Metropolitan Museum of Art
A male skeleton leading a female skeleton to the left, from a broaside entitled 'La Calavera de Cupido', published by Antonio Vanegas Arroyo., José Guadalupe Posada, ca. 1892José Guadalupe PosadaA male skeleton leading a female skeleton to the left, from a broaside entitled 'La Calavera de Cupido', published by Antonio Vanegas Arroyo.ca. 1892The Metropolitan Museum of Art
Collision between a trolley and a hearse, José Guadalupe Posada, ca. 1880–1910José Guadalupe PosadaCollision between a trolley and a hearseca. 1880–1910The Metropolitan Museum of Art
Cover for 'Nuevo Oraculo ó sea El Libro del Porvenír', an old women seated at a table and reading someone's fortune from cards, José Guadalupe Posada, ca. 1880–1910José Guadalupe PosadaCover for 'Nuevo Oraculo ó sea El Libro del Porvenír', an old women seated at a table and reading someone's fortune from cardsca. 1880–1910The Metropolitan Museum of Art
Broadsheet relating to skeletons rising from their graves, two skeletons duelling with swords, José Guadalupe Posada, 1904José Guadalupe PosadaBroadsheet relating to skeletons rising from their graves, two skeletons duelling with swords1904The Metropolitan Museum of Art
Broadsheet relating to mothers-in-law, brothers-in-law and sons fighting, José Guadalupe Posada, ca. 1890–1896José Guadalupe PosadaBroadsheet relating to mothers-in-law, brothers-in-law and sons fightingca. 1890–1896The Metropolitan Museum of Art
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