Zwei Männer mit Nimben, Egon Schiele, c. 1909
Egon Schiele, portraitEgon SchieleAustrian, 1890–1918

Zwei Männer mit Nimben

c. 1909 · Drawing

May one see it?

Unknown

Albertina

Vienna, Austria

The owner is known; whether it is on view today is not.

In this state since
Source
The museum

Particulars

In the catalog

Sources

  • Albertina
  • Image: Albertina — Public Domain Mark 1.0

Meanwhile, in the life of Egon Schiele

The whole life
  1. 1907

    Gustav Klimt: mentor and patron

    In 1907 Schiele sought out Gustav Klimt, who generously mentored younger artists: Klimt bought his drawings, offered to exchange them for some of his own, arranged models for him and introduced him to potential patrons and to the Wiener Werkstätte. Schiele’s earliest works of 1907–1909 show strong similarities with Klimt’s, as well as influences from Art Nouveau.

  2. 1908

    The first exhibition, in Klosterneuburg

    In 1908 Schiele’s first exhibition took place in the town of Klosterneuburg near Vienna, where he had earlier attended school.

  3. 1909

    Leaves the Academy and founds the Neukunstgruppe

    In 1909, after completing his third year, Schiele left the Academy and, with other dissatisfied students, founded the Neukunstgruppe (“New Art Group”). Imitations of Klimt and Oskar Kokoschka are visible in his first works, but he soon evolved his own distinctive style.

  4. 1909

    The 1909 Kunstschau: beside Klimt and Van Gogh

    In 1909 Klimt invited Schiele to exhibit some of his work at the Vienna Kunstschau, where he encountered the work of Edvard Munch, Jan Toorop, Vincent van Gogh and others.

  5. 1910

    Experiments with the nude and the birth of a style

    In 1910 Schiele began experimenting with nudes, and within a year a definitive style emerged: emaciated, sickly-coloured figures, often with strong sexual overtones. He also began painting and drawing children.

  6. 1911

    Meets Wally Neuzil

    In 1911, at the age of twenty-one, Schiele met the seventeen-year-old Wally Neuzil, who lived with him in Vienna and served as a model for some of his most striking paintings; she had previously modelled for Klimt.

All works

From the collection of Albertina

Museum page