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  3. Zwei Armstudien und eine Handstudie
Zwei Armstudien und eine Handstudie, Max Klinger, 1888
Max Klinger, portraitMax KlingerGerman, 1857–1920

Zwei Armstudien und eine Handstudie

1888 · Drawing

May one see it?

Unknown

Kupferstich-Kabinett Dresden

Dresden, Germany

The owner is known; whether it is on view today is not.

In this state since
Sep 27, 2026
Source
The museum
On the mapMuseum page

Particulars

1888 · aged 31
18571920

In the catalog

Drawings & watercolorsImpressionism19th century

Sources

  • Kupferstich-Kabinett Dresden
  • Image: Kupferstich-Kabinett Dresden — In Copyright

Meanwhile, in the life of Max Klinger

The whole life
  1. late July 1886

    A trip to Italy and the Carrara quarries

    At the end of July he leaves Paris for Italy, where he also visits the quarries of Carrara.

  2. March 1887

    Meets Arnold Böcklin

    He returns to Berlin, where he meets the Swiss artist Arnold Böcklin and grows spiritually close to him; from September he lives in Leipzig.

  3. 1889

    Invited to exhibit with Les XX

    The members of Les XX (The Twenty) invite Klinger to exhibit his work in their annual winter exhibition in Brussels.

  4. 1889

    A journey through Belgium and Italy

    He travels through Belgium and Italy, visiting Naples, Paestum and Pompeii.

  5. 1889–1893

    Years in Rome

    He settles in Rome and studies the Italian masters: 15th-century artists and works from antiquity are a revelation to him, and he intensifies his studies of anatomy, the nude and the representation of mass and volume — a very productive time. Other accounts say he arrived in Rome already in 1888.

  6. 1890s

    A Leipzig studio grown into an exhibition building

    He extends his Leipzig studio to the size of a showcase building so that he can exhibit his own works as well as works by Arnold Böcklin and drawings by Rodin and Menzel; at the same time he designs sketches for murals in the vestibule of the Museum of Fine Arts in Leipzig.

More by Max Klinger

All works
Evocation (Evocation), Max Klinger

Evocation (Evocation)

Not on view · National Gallery of Art

Ex libris van Max Klinger, Max Klinger, 1867 - 1920

Ex libris van Max Klinger

1867 - 1920 · Rijksmuseum

"Amor und Psyche" IV: "Zweites Intermezzo I Die Geburt von Troja's Unheil": Die drei Göttinnen. Text: "Hilfe des Windes hinauf ..." (recto), Max Klinger

"Amor und Psyche" IV: "Zweites Intermezzo I Die Geburt von Troja's Unheil": Die drei Göttinnen. Text: "Hilfe des Windes hinauf ..." (recto)

Kupferstich-Kabinett Dresden

Umrahmungen zu "Amor und Psyche", Blatt 2, Max Klinger

Umrahmungen zu "Amor und Psyche", Blatt 2

Kupferstich-Kabinett Dresden

Umrahmung zu "Amor und Psyche", Blatt 23, Max Klinger

Umrahmung zu "Amor und Psyche", Blatt 23

Kupferstich-Kabinett Dresden

Umrahmungen zu "Amor und Psyche", Blatt 4, Max Klinger

Umrahmungen zu "Amor und Psyche", Blatt 4

Kupferstich-Kabinett Dresden

Umrahmung zu "Amor und Psyche", Blatt 21, Max Klinger

Umrahmung zu "Amor und Psyche", Blatt 21

Kupferstich-Kabinett Dresden

Studie zur oberen Querfüllung in "Amor und Psyche" p. XIX: Amor vor einem Löwen sitzend, umgeben von vier Vögeln, Blatt 5, Max Klinger

Studie zur oberen Querfüllung in "Amor und Psyche" p. XIX: Amor vor einem Löwen sitzend, umgeben von vier Vögeln, Blatt 5

Kupferstich-Kabinett Dresden

From the collection of Kupferstich-Kabinett Dresden

Museum page
Der Erzengel Michael, Raphael

Raphael

Der Erzengel Michael

Kopf einer jungen Frau mit Turban und Perlenkette, Raphael

Raphael

Kopf einer jungen Frau mit Turban und Perlenkette

Plakat: I. Kunstausstellung der Wiener Secession, Gustav Klimt, 1898

Gustav Klimt

Plakat: I. Kunstausstellung der Wiener Secession, 1898

Jan Antonides van der Linden, Professor der Medizin in Leiden, Rembrandt, 1665

Rembrandt van Rijn

Jan Antonides van der Linden, Professor der Medizin in Leiden, 1665

Jan Antonides van der Linden, Professor der Medizin in Leiden, Rembrandt, 1665

Rembrandt van Rijn

Jan Antonides van der Linden, Professor der Medizin in Leiden, 1665

Diana und Aktaion, Rembrandt, 1663–1665

Rembrandt van Rijn

Diana und Aktaion, 1663–1665

Petrus am Totenbett der Tabea, Rembrandt, 1662–1665

Rembrandt van Rijn

Petrus am Totenbett der Tabea, 1662–1665

Die Frau mit dem Pfeil (Venus und Cupido?), Rembrandt, 1661

Rembrandt van Rijn

Die Frau mit dem Pfeil (Venus und Cupido?), 1661