ART WIKI 32,963 on view

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Where the masterpiece hangs, and when they let you in.

Collections: Art Institute of Chicago, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (6 museums), Paris Musées (12 museums), and Joconde, the French Ministry of Culture's museum database (495 museums). Images belong to their rights holders.

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Collection
Slovak National Gallery
Žobrácky kapitán

Žobrácky kapitán, Jacques Callot, 1622

Jacques Callot, portrait

Jacques CallotFrench, 1592–1635

Žobrácky kapitán

1622 · Print

May one see it?

Unknown

Slovak National Gallery

Bratislava, Slovakia

The owner is known; whether it is on view today is not.

In this state since: Sep 27, 2026
Source: The museum

On the map Museum page

Particulars

1622 · aged 30

15921635

In the catalog

Prints Baroque 17th century

Sources

Slovak National Gallery
Image: Slovak National Gallery — Public Domain Mark 1.0

Meanwhile, in the life of Jacques Callot

1611–1621 · Workplace
Florence
1614–1621
At the court of Cosimo II de’ Medici
Under Parigi’s direction Callot works at the court of the Grand Duke of Tuscany Cosimo II de’ Medici in the Uffizi, designing festivals and theatrical performances — later these give him themes for his series of grotesque prints; during his Florentine years he becomes an independent master and often works for the Medici.
1621
Returns to Nancy after the death of Cosimo II
After the death of Grand Duke Cosimo II de’ Medici, Callot responds to Duke Charles IV of Lorraine’s wish to see him at his court and returns to Lorraine, where he is received with flattering honours; staying in Nancy, he sends his prints all over Europe, and Rembrandt becomes a keen collector of them.
1621–1635 · Workplace
Nancy

More by Jacques Callot

Lust, Jacques Callot, 17th century

Lust

17th century · Harvard Art Museums

Temptation of Saint Anthony, Jacques Callot, 17th century

Temptation of Saint Anthony

17th century · Harvard Art Museums

Envy, Jacques Callot, 17th century

Envy

17th century · Harvard Art Museums

Pardon des Rochelois, Jacques Callot, 17th century

Pardon des Rochelois

17th century · Harvard Art Museums

Pride, Jacques Callot, 17th century

Pride

17th century · Harvard Art Museums

Anger, Jacques Callot, 17th century

Anger

17th century · Harvard Art Museums

Descente dans l'île de Ré, Jacques Callot, 17th century

Descente dans l'île de Ré

17th century · Harvard Art Museums

Gluttony, Jacques Callot, 17th century

Gluttony

17th century · Harvard Art Museums