Jacques CallotFrench, 1592–1635Žena s ružencom
May one see it?
Unknown: the museum keeps its counsel
Slovak National Gallery
Bratislava, Slovakia
The owner is known. Whether it is on view today, the museum does not say, and we were not trained to guess.
- In this state since
- Source
- The museum's own collection data
Particulars
Sources
- Slovak National Gallery: the museum's own open data · fetched 6 days ago
- Image: Slovak National Gallery — Public Domain Mark 1.0
Meanwhile, in the life of Jacques Callot
The whole life1611–1621 · Workplace
Florence
1614–1621
At the court of Cosimo II de’ Medici
Under Parigi’s direction Callot works at the court of the Grand Duke of Tuscany Cosimo II de’ Medici in the Uffizi, designing festivals and theatrical performances — later these give him themes for his series of grotesque prints; during his Florentine years he becomes an independent master and often works for the Medici.
1621
Returns to Nancy after the death of Cosimo II
After the death of Grand Duke Cosimo II de’ Medici, Callot responds to Duke Charles IV of Lorraine’s wish to see him at his court and returns to Lorraine, where he is received with flattering honours; staying in Nancy, he sends his prints all over Europe, and Rembrandt becomes a keen collector of them.
1621–1635 · Workplace
Nancy
