Working Model for UNESCO Reclining Figure, Henry Moore, 1957
Henry Moore, portraitHenry MooreEnglish, 1898–1986

Working Model for UNESCO Reclining Figure

1957 · Sculpture

Can I see it?

Yes, on view now

Where is “Working Model for UNESCO Reclining Figure” now? Art Institute of Chicago, Gallery 389 (corridor), Chicago. Yes, on view now. Checked September 29, 2026.

Art Institute of Chicago

Chicago, United States

Room389 (corridor)

Closed· opens at 11:00 AM

On public display.

Checked
In this state since
Source
The museum

About the sculpture

In the 1950s, Henry Moore executed a number of important public commissions, including Reclining Figure for the headquarters of the United Nations Educational, Scientific, and Cultural Organization in Paris. The Art Institute’s sculpture is one of six smaller bronze versions of the unique, over-16-foot-long marble figure that Moore installed at UNESCO in 1958. The artist looked to many cultures—particularly to enduring examples of art from ancient Greece and the Yucatán region of Mexico—to give his figural works their monumental forms and profound resonance with the art of the past. This reclining figure connects not only to history but also to the earth—its swelling masses and rounded voids suggest the female form as well as a landscape of valleys, mountains, and caves.

Art Institute of ChicagoCC BY 4.0

Details

Accession number
1960.9

What it shows

In the catalog

Sources

In the life of Henry Moore

The whole life
  1. 1940–1986

    A bomb in Hampstead: the move to Hoglands

    In September 1940 bomb shrapnel hit the Moores’ Hampstead home and they left London for Hoglands, a farmhouse in the hamlet of Perry Green near Much Hadham in Hertfordshire. It remained Moore’s home and workshop for the rest of his life; though he grew wealthy he never felt the need to move to larger premises.

  2. 1950s

    Assistants at Much Hadham

    In the 1950s the scale of Moore’s sculptures grew so much that he took on a growing number of assistants at Much Hadham, among them Anthony Caro, Roland Piché, Maurice Lowe and Richard Wentworth.

  3. 16 July 1955 – 18 September 1955

    Exhibition: documenta

  4. 11 July 1959 – 11 October 1959

    Exhibition: Documenta II

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On view at Art Institute of Chicago

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On the same theme · Biomorphic

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