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  1. Collection/
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  3. Water Stop
Water Stop, Robert Rauschenberg, 1968
Robert Rauschenberg, portraitRobert RauschenbergAmerican, 1925–2008

Water Stop

1968 · Print

May one see it?

Not receiving at present

Art Institute of Chicago

Chicago, United States

It belongs to the collection, but is not on display at present.

Checked
3 days ago
In this state since
Aug 19, 2026
Source
The museum
On the mapMuseum page

Particulars

1968 · aged 43
19252008
Accession number
1982.1148L

In the catalog

PrintsLithographPost-war art20th centuryUnited States

Sources

  • Art Institute of Chicago
  • Image: Art Institute of Chicago — © the artist or rights holder

Meanwhile, in the life of Robert Rauschenberg

The whole life
  1. 1966

    Founds E.A.T. with Billy Klüver

    For “9 Evenings: Theatre and Engineering” at New York's 69th Regiment Armory Rauschenberg created the performance Open Score. The series was instrumental in the formation of Experiments in Art and Technology (E.A.T.), a non-profit for collaborations between artists and engineers which he and the Bell Laboratories scientist Billy Klüver officially launched in 1966.

  2. 27 June 1968 – 6 October 1968

    Exhibition: 4. documenta

  3. 26 July 1968

    Buys a house on Captiva Island

    On 26 July 1968 Rauschenberg bought the Beach House, his first property on Captiva Island off the Florida coast, though it did not become his permanent home until the autumn of 1970. Other accounts date the purchase to 1970.

  4. 1969

    Watches the Apollo 11 launch at NASA's invitation

    NASA invited Rauschenberg to witness the launch of Apollo 11. In response he created his “Stoned Moon” series of lithographs, combining diagrams and images from NASA's archives with his own drawings and handwritten text.

  5. autumn 1970

    Moves to Captiva for good

    From the autumn of 1970 the Captiva house became Rauschenberg's permanent home and studio. The first works made there were the “Cardboards” (1971–72) and “Early Egyptians” (1973–74) series, from locally sourced cardboard and sand: instead of urban imagery he now favoured the natural fibres of fabric and paper.

  6. 1970

    Sets up Change, Inc. to help artists

    Rauschenberg created Change, Inc., a programme awarding one-time emergency grants of up to $1,000 to visual artists in financial need.

More by Robert Rauschenberg

All works
Untitled, Robert Rauschenberg, c. 1953

Untitled

c. 1953 · The Museum of Modern Art

Canyon, Robert Rauschenberg, 1959

Canyon

1959 · The Museum of Modern Art

Untitled, Robert Rauschenberg, c. 1955

Untitled

c. 1955 · Art Institute of Chicago

Satellite, Robert Rauschenberg, 1955

Satellite

1955 · Whitney Museum of American Art

Untitled, Robert Rauschenberg, 1949

Untitled

1949 · Not on view · The Museum of Modern Art

Untitled, Robert Rauschenberg, Susan Weil, c. 1950

Untitled

c. 1950 · Not on view · The Museum of Modern Art

Black Painting, Robert Rauschenberg, 1952

Black Painting

1952 · Not on view · National Gallery of Art

Untitled (Mirror), Robert Rauschenberg, (1952)

Untitled (Mirror)

(1952) · Not on view · The Museum of Modern Art

Neighbors at Art Institute of Chicago

Museum page
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

A Sunday Afternoon on the Island of La Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Two Sisters (On the Terrace), 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

The Basket of Apples, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942