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  3. Washington Sea Eagle
Washington Sea Eagle, John James Audubon, ca. 1836-1839

Washington Sea Eagle

ca. 1836-1839 · Painting · 116.8 × 84.5 cm

About the painting

In 1814 artist and ornithologist John James Audubon first saw the elusive gigantic eagle he called "The Bird of Washington" flying along the bluffs of the upper Mississippi river, near the Great Lakes. Audubon documented four more sightings of this bird before finally acquiring a specimen. Larger than any known species of eagle found anywhere in the world, the eagle Audubon shot measured almost four feet tall, with a wingspan over ten feet wide. Due to its impressive size, Audubon immediately named it falco Washingtonii, or Washington's Eagle, and declared it to be a new species native to North America. Specimens of the "Bird of Washington" graced museum collections in Philadelphia, Boston, and London during the 19th century.

Smithsonian American Art Museum

Particulars

ca. 1836-1839
17851851
Accession number
1994.121

Meanwhile, in the life of John James Audubon

The whole life
  1. 1835

    The critic John Neal questions his honesty

    Audubon failed to credit the work of Joseph Mason, which prompted a series of articles in 1835 by the critic John Neal questioning Audubon's honesty and trustworthiness.

  2. summer 1836 – spring 1837

    The South and Texas: meeting Sam Houston

    In the summer of 1836 Audubon set off for America with his son John; the trip took in South Carolina, Florida, Louisiana and Texas. In October he was at last able to study Townsend's Columbia River collection, which in his opinion held about 40 new species, and to buy some of the skins; in the spring of 1837 he travelled by water to Galveston Bay, visited Houston and met Sam Houston, president of the Republic of Texas. By then he had lost almost all his teeth, and on the trip he lost 12 pounds.

  3. August 1837

    His last visit to England: the “Synopsis” of American birds

    In August 1837 Audubon returned to England for the last time and oversaw the publication of the final volumes of both works. He then issued for subscribers a one-volume index, the “Synopsis of the Birds of America”, his attempt at a classification of birds of his own.

  4. 1839

    Moves to New York and a cheaper edition of the “Birds”

    In 1839 Audubon moved with his family to New York, where several hundred of his works were exhibited that year, and began a new edition of “The Birds of America” with reduced-size illustrations and the ornithological text. Demand was huge: on 3 December 1839, 300 copies of the first number were ready, and on 9 January 1841, 1,475, with the total number of subscribers reaching 1,198.

More by John James Audubon

All works

Neighbors at Smithsonian American Art Museum

Museum page

On the same theme · Sailing ships

All works on the theme
  • 1840s

    “The Viviparous Quadrupeds of North America” with Bachman

    Together with John Bachman Audubon began a book on quadrupeds, agreed back in 1831: he did the illustrations and Bachman wrote the text. By the mid-1840s his sons were doing most of the work (John Woodhouse drew about half of the 150 illustrations), and in 1845 relations with Bachman soured further: Audubon did not supply him with skins from his last collection, his notes or the books Bachman had ordered.

  • John James Audubon, portraitJohn James AudubonAmerican, 1785–1851

    May one see it?

    Unknown

    Smithsonian American Art Museum

    Washington, D.C., United States

    The owner is known; whether it is on view today is not.

    In this state since
    Sep 25, 2026
    Source
    The museum
    On the mapMuseum page

    What it shows

    Sailing shipsBoats and boatingLandscapeCoastsAnimalArchitectureBirdEagles

    In the catalog

    PaintingsOilFrench paintingAmerican paintingRomanticism19th century

    Sources

    • Smithsonian American Art Museum
    • Image: Smithsonian American Art Museum — CC0
    Peregrine Falcons (Duck Hawks), John James Audubon, c. 1827

    Peregrine Falcons (Duck Hawks)

    c. 1827 · The Cleveland Museum of Art

    Prairie Titlark, Robert Havell, Jr. after John James Audubon

    Prairie Titlark

    Not on view · National Gallery of Art

    Blue Yellow Back Warbler, John James Audubon, 1812

    Blue Yellow Back Warbler

    1812 · Not on view · National Gallery of Art

    Hermit Thrush, John James Audubon, 1820

    Hermit Thrush

    1820 · Not on view · National Gallery of Art

    Prairie Warbler, Robert Havell after John James Audubon, 1827

    Prairie Warbler

    1827 · Not on view · National Gallery of Art

    Song Sparrow, Robert Havell after John James Audubon, 1827

    Song Sparrow

    1827 · Not on view · National Gallery of Art

    Snow-Bird, Robert Havell after John James Audubon, 1827

    Snow-Bird

    1827 · Not on view · National Gallery of Art

    Great American Cock, William Home Lizars after John James Audubon, 1827

    Great American Cock

    1827 · Not on view · National Gallery of Art

    Muskrat, Unidentified, before 1997

    Unidentified

    Muskrat, before 1997

    Cane with Boot-Shaped Handle, Unidentified, late 19th-early 20th century

    Unidentified

    Cane with Boot-Shaped Handle, late 19th-early 20th century

    San Jose, Arce group, late 19th-early 20th century

    Arce group

    San Jose, late 19th-early 20th century

    Nuestra Senora del Carmen, Rivera group, ca. late 19th-early 20th century

    Rivera group

    Nuestra Senora del Carmen, ca. late 19th-early 20th century

    San Rafael, Genaro Rivera Aviles, late 19th-early 20th century

    Genaro Rivera Aviles

    San Rafael, late 19th-early 20th century

    Worrying Mother Pig Toy, Unidentified, 20th century (pre-1960s)

    Unidentified

    Worrying Mother Pig Toy, 20th century (pre-1960s)

    Bright Light at Russell's Corners, George Ault, 1946

    George Ault

    Bright Light at Russell's Corners, 1946

    Fish Decoy, Unidentified, ca. 1940s

    Unidentified

    Fish Decoy, ca. 1940s

    Part of a small fort opposite Canton; Chinese sailing vessel, George Chinnery, 18/08/1832

    George Chinnery

    Part of a small fort opposite Canton; Chinese sailing vessel, 18/08/1832

    Not on view · Victoria and Albert Museum

    Untitled, Howard Russell Butler

    Howard Russell Butler

    Untitled

    Smithsonian American Art Museum

    Old Wharves, Portmadoc, Caernarvonshire., Frances Macdonald, 1942

    Frances Macdonald

    Old Wharves, Portmadoc, Caernarvonshire., 1942

    Not on view · Victoria and Albert Museum

    The Approach of the British Pirate "Alabama", from Harper's Weekly, April 25, 1863, Winslow Homer, 1863

    Winslow Homer

    The Approach of the British Pirate "Alabama", from Harper's Weekly, April 25, 1863, 1863

    Smithsonian American Art Museum

    Going to Sea, Samuel Palmer, 1858

    Samuel Palmer

    Going to Sea, 1858

    Not on view · Victoria and Albert Museum

    San Giorgio, Venice, Henry Wolf, 1900

    Henry Wolf

    San Giorgio, Venice, 1900

    Smithsonian American Art Museum

    The Chase, Henry Wolf, 1894

    Henry Wolf

    The Chase, 1894

    Smithsonian American Art Museum

    Naval Engagement, Adriaen van der Salm, ca. 1692-1720

    Adriaen van der Salm

    Naval Engagement, ca. 1692-1720

    Not on view · Victoria and Albert Museum