ART WIKI32,963 on view
MapCollectionArtistsMuseumsExhibitionsJournal
Sign in

ART WIKI

Where the masterpiece hangs, and when they let you in.

Collections: Art Institute of Chicago, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (6 museums), Paris Musées (12 museums), and Joconde, the French Ministry of Culture's museum database (495 museums). Images belong to their rights holders.

Sections

  • Map
  • Search
  • Collection
  • Masterpieces
  • On view now
  • Artists

More

  • Museums & galleries
  • Exhibitions
  • Journal
  • Where the data comes from
  • Privacy & cookies
HomeMapBrowse
  1. Collection/
  2. Art Institute of Chicago/
  3. Virgin (Dreaming)
Virgin (Dreaming), Paul Klee, 1903
Paul Klee, portraitPaul KleeGerman, 1879–1940

Virgin (Dreaming)

1903 · Print

Particulars

1903 · aged 24
18791940
Accession number
1970.234

Meanwhile, in the life of Paul Klee

The whole life
  1. 11 October 1900 – March 1901

    The Academy: Franz von Stuck’s class

    On 11 October 1900 Klee was admitted to the Academy of Fine Arts, to Franz von Stuck’s painting class, where Wassily Kandinsky also studied — yet the two hardly knew each other. Klee attended irregularly and left the Academy in March 1901.

  2. 22 October 1901 – 2 May 1902

    First journey to Italy with Hermann Haller

    With Hermann Haller, a fellow pupil at Knirr’s school and a future sculptor, Klee travelled from Milan and Genoa through Rome and Naples to Florence. Three impressions of the trip shaped his later work: the Renaissance architecture of Florence, the Naples Aquarium, which revealed the variety of natural forms, and the playful sensuality of the Gothic panels in Siena.

  3. 1902–1906

    Four years at his parents’ house in Bern

    Back from Italy, Klee lived for four years at his parents’ house, earning a living by giving music and painting lessons and writing reviews for a music magazine; he attended a course in anatomy for artists, and the Bern Music Society took him on as a violinist. In 1904, in Munich’s print room, he studied Aubrey Beardsley, William Blake, Goya — whose “Disasters of War” delighted him — and James Ensor.

  4. May – June 1905

    Paris with childhood friends: the Louvre and the Luxembourg

    With his childhood friends, the budding painter Louis Moilliet and the writer Ernst Bloesch, Klee lived in Paris and studied classical art in the Louvre and the gallery of the Luxembourg Palace. He also became acquainted with Impressionism, but the work of Cézanne, Matisse and Derain was still unknown to him.

More by Paul Klee

All works

Neighbors at Art Institute of Chicago

Museum page

On the same theme · Mythology

All works on the theme

May one see it?

Not receiving at present

Art Institute of Chicago

Chicago, United States

It belongs to the collection, but is not on display at present.

Checked
3 days ago
In this state since
Aug 19, 2026
Source
The museum
On the mapMuseum page

What it shows

Mythology

In the catalog

PrintsEtchingImpressionismModernism20th centuryGermany

Sources

  • Art Institute of Chicago
  • Image: Art Institute of Chicago — © the artist or rights holder
New House in the Suburbs, Paul Klee, 1924

New House in the Suburbs

1924 · National Gallery of Art

May Picture, Paul Klee, 1925

May Picture

1925 · The Metropolitan Museum of Art

Howling Dog, Paul Klee, 1928

Howling Dog

1928 · Minneapolis Institute of Art

Hardy Plants, Paul Klee, 1934

Hardy Plants

1934 · Minneapolis Institute of Art

Stakim, Paul Klee, c. 1928

Stakim

c. 1928 · Art Institute of Chicago

Fleeing Ghost, Paul Klee, 1929

Fleeing Ghost

1929 · Art Institute of Chicago

In the Magic Mirror, Paul Klee, 1934

In the Magic Mirror

1934 · Art Institute of Chicago

Auslöschendes Licht, Paul Klee

Auslöschendes Licht

Albertina

The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

A Sunday Afternoon on the Island of La Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Two Sisters (On the Terrace), 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

The Basket of Apples, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942

Sculptor, Reclining Model, and Self-Portrait in the Form of a Sculpted Hercules (Sculpteur, modèle couché et autoportrait en Hercule sculpté), Pablo Picasso, 1933

Pablo Picasso

Sculptor, Reclining Model, and Self-Portrait in the Form of a Sculpted Hercules (Sculpteur, modèle couché et autoportrait en Hercule sculpté), 1933

Not on view · National Gallery of Art

Lucretia, Rembrandt van Rijn, 1664

Rembrandt van Rijn

Lucretia, 1664

National Gallery of Art

Los and His Spectre [verso], William Blake, c. 1804/1807

William Blake

Los and His Spectre [verso], c. 1804/1807

Not on view · National Gallery of Art

Mythological Scene (Sword Fight between a Woman and a Man), Mark Rothko

Mark Rothko

Mythological Scene (Sword Fight between a Woman and a Man)

Not on view · National Gallery of Art

Baroque Centaur (Barocker Kentaur), Paul Klee, 1939

Paul Klee

Baroque Centaur (Barocker Kentaur), 1939

Not on view · National Gallery of Art

Study for "Apollo and the Muses", John Singer Sargent, c. 1921

John Singer Sargent

Study for "Apollo and the Muses", c. 1921

Not on view · National Gallery of Art

Study of Apollo for "Apollo and the Muses", John Singer Sargent, c. 1921

John Singer Sargent

Study of Apollo for "Apollo and the Muses", c. 1921

Not on view · National Gallery of Art

Study for "Classic and Romantic Art", John Singer Sargent, c. 1921

John Singer Sargent

Study for "Classic and Romantic Art", c. 1921

Not on view · National Gallery of Art