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  1. Collection/
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  3. Vincenzo Cappello
Vincenzo Cappello, Titian and Workshop, c. 1550/1560

Vincenzo Cappello

c. 1550/1560 · Painting

Particulars

c. 1550/1560
14901576
Accession number
1957.14.3

Meanwhile, in the life of Titian

The whole life
  1. 1547–1548

    Augsburg: the “Equestrian Portrait of Charles V”

    In 1547 Titian was summoned from Venice to Augsburg to paint portraits of Charles V and other dignitaries; at the Diet in early 1548 he completed six paintings, among them the “Equestrian Portrait of Charles V”. He also made the emperor aware that he had not received a single payment of his stipend, and on 10 July 1548 Charles V granted him a second annual pension of 100 scudi.

  2. 1548 · Workplace

    Augsburg

  3. 1550–1551 · Workplace

    Augsburg

  4. 1550s

    An assembly-line workshop for Charles V and Philip II

    From the 1550s commissions from the emperor and then from Philip II monopolised the artist's output. To meet the demand he reorganised his workshop and began to produce variants and replicas of his works almost in assembly-line fashion: “specialised collaborators” made copies, which he then retouched to impart his spirit to them.

  5. 1555

    His daughter Lavinia's wedding

    In 1555 Titian married off his daughter Lavinia to Cornelio Sarcinelli, a member of the local nobility of Serravalle, with a noble dowry of 1,400 ducats.

More by Titian

All works

In the same room · M-023, National Gallery of Art

Museum page

On the same theme · Male

All works on the theme
Titian, portraitTitianItalian, 1490–1576

May one see it?

Yes, receiving visitors

National Gallery of Art

Washington, D.C., United States

Room23 · West Building, Main Floor

On public display.

Checked
9 days ago
In this state since
Aug 19, 2026
Source
The museum
On the mapMuseum page

What it shows

MaleCapello, Vincenzo

In the catalog

PaintingsOilItalian paintingVenetian paintingRenaissance16th centuryVenetianPortrait

Sources

  • National Gallery of Art
  • Image: National Gallery of Art — Museum open access
Venus and Adonis, Titian, 1550s

Venus and Adonis

1550s · The Metropolitan Museum of Art

La Mise au tombeau ou Le Transport du Christ vers le tombeau, Titien, 1e quart du XVIe siècle (1500 - 1525)

La Mise au tombeau ou Le Transport du Christ vers le tombeau

first quarter of the 16th century (1500–1525) · Musée du Louvre

Portrait d'homme, dit L'Homme au gant, Titien, 1e quart du XVIe siècle (1500 - 1525)

Man with a Glove

first quarter of the 16th century (1500–1525) · Musée du Louvre

Allégorie conjugale (Allégorie de la séparation?), dit à tort Allégorie d'Alphonse d'Avalos, Titien, XVIe siècle (1500 - 1600)

Allégorie conjugale (Allégorie de la séparation?), dit à tort Allégorie d'Alphonse d'Avalos

16th century (1500–1600) · Musée du Louvre

La Vierge à l' Enfant avec saint Étienne, saint Jérôme et saint Maurice, Titien, 1e quart du XVIe siècle (1500 - 1525)

La Vierge à l' Enfant avec saint Étienne, saint Jérôme et saint Maurice

first quarter of the 16th century (1500–1525) · Musée du Louvre

Les Pèlerins d'Emmaüs, Titien, XVIe siècle (1500 - 1600)

Les Pèlerins d'Emmaüs

16th century (1500–1600) · Musée du Louvre

Saint Jérôme pénitent, Titien, XVIe siècle (1500 - 1600)

Saint Jérôme pénitent

16th century (1500–1600) · Musée du Louvre

Portrait d'homme, main à la ceinture, Titien, 1e quart du XVIe siècle (1500 - 1525)

Portrait d'homme, main à la ceinture

first quarter of the 16th century (1500–1525) · Musée du Louvre

Doge Andrea Gritti, Titian, c. 1546/1550

Titian

Doge Andrea Gritti, c. 1546/1550

Venus and Adonis, Titian and Workshop, c. 1540s/c. 1560-1565

Titian

Venus and Adonis, c. 1540s/c. 1560-1565

Cardinal Pietro Bembo, Titian, 1539/1540

Titian

Cardinal Pietro Bembo, 1539/1540

Saint Lucy and a Donor, Veronese Workshop, c. 1585/1595

Paolo Veronese

Saint Lucy and a Donor, c. 1585/1595

Andrea de' Franceschi, after Titian, late 16th or early 17th century

anonymous

Andrea de' Franceschi, late 16th or early 17th century

Venus Blindfolding Cupid, Workshop or Follower of Titian, c. 1566/1570 or c. 1576/1580

anonymous

Venus Blindfolding Cupid, c. 1566/1570 or c. 1576/1580

The Annunciation to the Shepherds, Jacopo Bassano, probably 1555/1560

Jacopo Bassano

The Annunciation to the Shepherds, probably 1555/1560

The Baptism of Christ, Paris Bordone, c. 1535/1540

Paris Bordone

The Baptism of Christ, c. 1535/1540

Jose Clemente Orozco, New York City, Ansel Adams, 1933, printed 1981

Ansel Adams

Jose Clemente Orozco, New York City, 1933, printed 1981

Not on view · National Gallery of Art

Alfred Stieglitz and Painting by Georgia O'Keeffe, An American Place, New York City, Ansel Adams, 1939, printed 1981

Ansel Adams

Alfred Stieglitz and Painting by Georgia O'Keeffe, An American Place, New York City, 1939, printed 1981

Not on view · National Gallery of Art

Old Man Carrying a Basket, Facing Right, Vincent van Gogh, 1882

Vincent van Gogh

Old Man Carrying a Basket, Facing Right, 1882

Not on view · National Gallery of Art

Man Polishing a Boot, Vincent van Gogh, 1882

Vincent van Gogh

Man Polishing a Boot, 1882

Not on view · National Gallery of Art

Young Man [verso], Pablo Picasso, c. 1906

Pablo Picasso

Young Man [verso], c. 1906

Not on view · National Gallery of Art

Acrobat in Repose (Le saltimbanque au repos), Pablo Picasso, 1905, published 1913

Pablo Picasso

Acrobat in Repose (Le saltimbanque au repos), 1905, published 1913

Not on view · National Gallery of Art

Pedro Mañach, Pablo Picasso, 1901

Pablo Picasso

Pedro Mañach, 1901

National Gallery of Art

Two Sculptors before a Statue (Deux sculpteurs devant une statue), Pablo Picasso, 1931

Pablo Picasso

Two Sculptors before a Statue (Deux sculpteurs devant une statue), 1931

Not on view · National Gallery of Art