View of Chamonix, John Ruskin, 1842
John Ruskin, portraitJohn RuskinEnglish, 1819–1900

View of Chamonix

1842 · Drawing

Can I see it?

Not on view at present

Where is “View of Chamonix” now? Collection: Harvard Art Museums, Cambridge. Not on view at present. Checked September 29, 2026.

Harvard Art Museums

Cambridge, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

Details

Accession number
1901.23

In the catalog

Sources

In the life of John Ruskin

The whole life
  1. 1834–1900 · Workplace

    Great Britain

  2. 1837–1842

    His first love, Adèle Domecq, becomes engaged to another

    Ruskin is devastated to hear that his first love, Adèle Domecq, the second daughter of his father's business partner, has become engaged to a French nobleman.

  3. April 1840

    Coughing blood and a long break from Oxford

    While revising for his examinations Ruskin begins to cough blood; fears of consumption lead to a long break from Oxford, which he spends travelling with his parents.

  4. late 1840 – autumn 1842

    Italy with his parents: guided by George Richmond

    For much of the period from late 1840 to autumn 1842 Ruskin is abroad with his parents, mainly in Italy, where George Richmond — introduced to the family by Joseph Severn, a friend of Keats — guides his study of Italian art. Back at Oxford in 1842 he sits for a pass degree and is awarded an unusual honorary double fourth-class degree in recognition of his achievements.

  5. 1843

    In defence of Turner: the first volume of “Modern Painters”

    The first volume of “Modern Painters” — an answer to Turner's critics — is published by Smith, Elder & Co. under the name “A Graduate of Oxford”; Ruskin controversially argues that modern landscape painters, above all Turner, surpass “Old Masters” such as Gaspard Dughet, Claude and Salvator Rosa in “truth to nature”, moral as well as material. Reviews are mixed, but Charlotte Brontë and Elizabeth Gaskell are impressed, and the book cements Ruskin's relationship with Turner.

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