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Very Terrible Example!, José Guadalupe Posada, 1910
José Guadalupe Posada, portraitJosé Guadalupe PosadaMexican, 1852–1913

Very Terrible Example!

1910 · Print

May one see it?

Not receiving at present

Art Institute of Chicago

Chicago, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum
On the mapMuseum page

Particulars

Accession number
1959.525

What it shows

Text

In the catalog

PrintsEngravingModernism20th centuryMexico

Sources

More by José Guadalupe Posada

All works
Elegantly dressed male and female skeletons arm in arm (vignette for the feast of the dead), José Guadalupe Posada, ca. 1894

Elegantly dressed male and female skeletons arm in arm (vignette for the feast of the dead)

ca. 1894 · The Metropolitan Museum of Art

Ballad of The Bejarano (Corrido: La Bejarano), José Guadalupe Posada

Ballad of The Bejarano (Corrido: La Bejarano)

Not on view · The Museum of Modern Art

Cogida de Don Chapito Toréro, José Guadalupe Posada, n.d.

Cogida de Don Chapito Toréro

n.d. · Not on view · The Museum of Modern Art

Testing the Devil (El Testerazo del Devil) from 25 Prints of José Guadalupe Posada, José Guadalupe Posada, plate c. 1890-1910, published 1942

Testing the Devil (El Testerazo del Devil) from 25 Prints of José Guadalupe Posada

plate c. 1890-1910, published 1942 · Not on view · The Museum of Modern Art

Bullfighters (Los toreros [juguete]) from 25 Prints of José Guadalupe Posada, José Guadalupe Posada, plate c. 1890-1910, published 1942

Bullfighters (Los toreros [juguete]) from 25 Prints of José Guadalupe Posada

plate c. 1890-1910, published 1942 · Not on view · The Museum of Modern Art

Conversation of the Good Calaveras (Coloquio de buenas calaveras), José Guadalupe Posada

Conversation of the Good Calaveras (Coloquio de buenas calaveras)

Not on view · The Museum of Modern Art

How to Scare Ghosts (Por Finjir Espantos) from 25 Prints of José Guadalupe Posada, José Guadalupe Posada, plate c. 1890-1910, published 1942

How to Scare Ghosts (Por Finjir Espantos) from 25 Prints of José Guadalupe Posada

plate c. 1890-1910, published 1942 · Not on view · The Museum of Modern Art

A Revolutionary's Farewell to His Sad Lover (Despedida de un Maderista y su triste amada), José Guadalupe Posada

A Revolutionary's Farewell to His Sad Lover (Despedida de un Maderista y su triste amada)

Not on view · The Museum of Modern Art

Neighbors at Art Institute of Chicago

Museum page
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

A Sunday Afternoon on the Island of La Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Two Sisters (On the Terrace), 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

The Basket of Apples, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942

On the same theme · Text

All works on the theme
Stéphane Mallarmé, Edvard Munch, 1897

Edvard Munch

Stéphane Mallarmé, 1897

Not on view · National Gallery of Art

Celtic +~~~, Joseph Beuys, 1971

Joseph Beuys

Celtic +~~~, 1971

Not on view · National Gallery of Art

Celtic +~~~, Joseph Beuys, 1971

Joseph Beuys

Celtic +~~~, 1971

Not on view · National Gallery of Art

Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana), Paul Gauguin, 1893

Paul Gauguin

Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana), 1893

Art Institute of Chicago

Blackwood Service Station, San Joaquin Valley, Riverbank, California, Dorothea Lange, April 9, 1940, printed c. 1960s

Dorothea Lange

Blackwood Service Station, San Joaquin Valley, Riverbank, California, April 9, 1940, printed c. 1960s

Not on view · National Gallery of Art

Richmond, California, Dorothea Lange, 1942, printed c. 1960s

Dorothea Lange

Richmond, California, 1942, printed c. 1960s

Not on view · National Gallery of Art

Church in shacktown community. It is used by different sects, including Pentecostal. The curtains are made of flour sacks, near Modesto, Stanislaus County, California, Dorothea Lange, May 10, 1940

Dorothea Lange

Church in shacktown community. It is used by different sects, including Pentecostal. The curtains are made of flour sacks, near Modesto, Stanislaus County, California, May 10, 1940

Not on view · National Gallery of Art

City in transition, Oakland, California, Dorothea Lange, 1942

Dorothea Lange

City in transition, Oakland, California, 1942

Not on view · National Gallery of Art