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  1. Collection/
  2. Slovak National Gallery/
  3. Venuša Merkúr
Venuša Merkúr, Max Klinger, 1900–1920
Max Klinger, portraitMax KlingerGerman, 1857–1920

Venuša Merkúr

1900–1920 · Print

May one see it?

Unknown

Slovak National Gallery

Bratislava, Slovakia

The owner is known; whether it is on view today is not.

In this state since
Sep 27, 2026
Source
The museum
On the mapMuseum page

Particulars

1900–1920
18571920

In the catalog

PrintsImpressionismModernism20th century

Sources

  • Slovak National Gallery
  • Image: Slovak National Gallery — Public Domain Mark 1.0

Meanwhile, in the life of Max Klinger

The whole life
  1. 1898

    Meets Elsa Asenijeff

    He meets the writer and poet Elsa Asenijeff, who becomes his model, muse and girlfriend for fifteen years; they have a daughter in 1900 but never marry.

  2. spring 1902

    Klinger’s Beethoven at the Vienna Secession

    His “Beethoven”, a sculpture of bronze, ivory, alabaster and several marbles, is the centrepiece of the 14th Vienna Secession exhibition, where Klimt’s Beethoven Frieze is visible in an adjoining room and Gustav Mahler is persuaded to transcribe music from the Ninth Symphony for trumpets. The exhibition causes a scandal: the sculpture is dismissed as kitsch and some are offended by a nude Beethoven, while Rodin is reported to have walked past it without comment, later saying it had nothing to do with sculpture.

  3. 1907

    An exhibition of his entire oeuvre in Leipzig

    For the first time all of Klinger’s works are exhibited together at the Leipzig art museum; the same year he visits Paris and Spain again.

  4. 1911

    Leaves Asenijeff for Gertrud Bock

    He leaves Asenijeff, when her mental health begins to deteriorate, for an 18-year-old model, Gertrud Bock (1893–1932), whom he ultimately marries a few months before his death.

  5. 19 October 1919

    A stroke

    He suffers a stroke, after which he moves his studio to Großjena, where he decides to find his last resting place.

  6. 5 July 1920

    Death in Großjena

    He dies in Großjena, where he made his last resting place; another account gives 4 July. His friend, the sculptor Johannes Hartmann, takes a death mask from his face.

More by Max Klinger

All works
Evocation (Evocation), Max Klinger

Evocation (Evocation)

Not on view · National Gallery of Art

Ex libris van Max Klinger, Max Klinger, 1867 - 1920

Ex libris van Max Klinger

1867 - 1920 · Rijksmuseum

"Amor und Psyche" IV: "Zweites Intermezzo I Die Geburt von Troja's Unheil": Die drei Göttinnen. Text: "Hilfe des Windes hinauf ..." (recto), Max Klinger

"Amor und Psyche" IV: "Zweites Intermezzo I Die Geburt von Troja's Unheil": Die drei Göttinnen. Text: "Hilfe des Windes hinauf ..." (recto)

Kupferstich-Kabinett Dresden

Umrahmungen zu "Amor und Psyche", Blatt 2, Max Klinger

Umrahmungen zu "Amor und Psyche", Blatt 2

Kupferstich-Kabinett Dresden

Umrahmung zu "Amor und Psyche", Blatt 23, Max Klinger

Umrahmung zu "Amor und Psyche", Blatt 23

Kupferstich-Kabinett Dresden

Umrahmungen zu "Amor und Psyche", Blatt 4, Max Klinger

Umrahmungen zu "Amor und Psyche", Blatt 4

Kupferstich-Kabinett Dresden

Umrahmung zu "Amor und Psyche", Blatt 21, Max Klinger

Umrahmung zu "Amor und Psyche", Blatt 21

Kupferstich-Kabinett Dresden

Studie zur oberen Querfüllung in "Amor und Psyche" p. XIX: Amor vor einem Löwen sitzend, umgeben von vier Vögeln, Blatt 5, Max Klinger

Studie zur oberen Querfüllung in "Amor und Psyche" p. XIX: Amor vor einem Löwen sitzend, umgeben von vier Vögeln, Blatt 5

Kupferstich-Kabinett Dresden

From the collection of Slovak National Gallery

Museum page
Krst eunucha (Sk 8, 26-39), Rembrandt, 1641

Rembrandt van Rijn

Krst eunucha (Sk 8, 26-39), 1641

Marc Agripe, Rembrandt, 1640–1660

Rembrandt van Rijn

Marc Agripe, 1640–1660

Ukameňovanie svätého Štefana (Sk 7, 55-60), Rembrandt, 1635

Rembrandt van Rijn

Ukameňovanie svätého Štefana (Sk 7, 55-60), 1635

Potulní muzikanti, Rembrandt, 1635–1650

Rembrandt van Rijn

Potulní muzikanti, 1635–1650

Ukrižovanie, Rembrandt, 1625–1645

Rembrandt van Rijn

Ukrižovanie, 1625–1645

Detail podobizne Viliama Burggraeffa, Rembrandt, 17th century

Rembrandt van Rijn

Detail podobizne Viliama Burggraeffa, 17th century

Muž so zlatou helmou, Rembrandt, 20th century

Rembrandt van Rijn

Muž so zlatou helmou, 20th century

Pohľad na baziliku S. Croce in Gerusalemme v Ríme, Giovanni Battista Piranesi, 1765

Giovanni Battista Piranesi

Pohľad na baziliku S. Croce in Gerusalemme v Ríme, 1765