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  3. Vanity
Vanity, Charles Louis Hinton, 1915

Vanity

1915 · Sculpture · 67.2 × 59.7 cm

About the sculpture

This allegory has been a popular subject in literature and art dating back to the Middle Ages. Vanity personifies all the temptations and self-serving pleasures of the world. In Charles Louis Hinton’s version, the idealized figure has been replaced with a naturalistic, female nude. She turns her head and leans slightly back to look at her reflection. Her vanity is evident in her sensual, studied pose, which exudes beauty and self-confidence.

Smithsonian American Art Museum

Particulars

Accession number
1952.5.1

More by Charles Louis Hinton

All works

In the same room · Luce Foundation Center, 3rd Floor, 19B, Smithsonian American Art Museum

Museum page

On the same theme · Vanity

All works on the theme
CCharles Louis Hinton

May one see it?

Yes, receiving visitors

Smithsonian American Art Museum

Washington, D.C., United States

RoomLuce Foundation Center, 3rd Floor, 19B

On public display.

Checked
12 days ago
In this state since
Sep 25, 2026
Source
The museum
On the mapMuseum page

What it shows

VanityFigure femaleQualityNudityAllegoryFurnishings

In the catalog

SculptureBronzeModernism20th century

Sources

  • Smithsonian American Art Museum
  • Image: Smithsonian American Art Museum — CC0
Columbia's Call to Arms, Charles Louis Hinton, 1917

Columbia's Call to Arms

1917 · Smithsonian American Art Museum

Winged Victory, Daniel Chester French, modeled 1921

Daniel Chester French

Winged Victory, modeled 1921

Sanctuary of Dreams, Robert P. Baker, ca. 1919

Robert P. Baker

Sanctuary of Dreams, ca. 1919

The Heavens, Solon H. Borglum, 1913-1917

Solon H. Borglum

The Heavens, 1913-1917

The Waters, Solon H. Borglum, 1913-1914

Solon H. Borglum

The Waters, 1913-1914

Diana, Karl Bitter, 1909

Karl Theodore Bitter

Diana, 1909

The Fire Dance, Louis Potter, 1907

Louis Potter

The Fire Dance, 1907

Preliminary Model of Male Figure from Fountain of Engineers, Paul Wayland Bartlett, ca. 1905-1914

Paul Wayland Bartlett

Preliminary Model of Male Figure from Fountain of Engineers, ca. 1905-1914

Preliminary Model of Male Figure from Fountain of Engineers, Paul Wayland Bartlett, ca. 1905-1914

Paul Wayland Bartlett

Preliminary Model of Male Figure from Fountain of Engineers, ca. 1905-1914

Pride, Jacob Matham after Hendrik Goltzius

Hendrick Goltzius

Pride

Not on view · National Gallery of Art

Nude Woman Holding a Mirror (Allegory of Vanitas), Jacopo de' Barbari, c. 1503/1504

Jacopo de' Barbari

Nude Woman Holding a Mirror (Allegory of Vanitas), c. 1503/1504

Not on view · National Gallery of Art

Vanity, David Young Cameron, 1896

David Young Cameron

Vanity, 1896

Not on view · National Gallery of Art

Narcissus, Valerio Cioli, ca. 1560

Valerio Cioli

Narcissus, ca. 1560

Victoria and Albert Museum

We Both Must Fade (Mrs. Fithian), Lilly Martin Spencer, 1869

Lilly Martin Spencer

We Both Must Fade (Mrs. Fithian), 1869

Smithsonian American Art Museum

(Illustration for Rubáiyát of Omar Khayyám) The Blowing Rose, Elihu Vedder, 1883-1884

Elihu Vedder

(Illustration for Rubáiyát of Omar Khayyám) The Blowing Rose, 1883-1884

Smithsonian American Art Museum

(Illustration for Rubáiyát of Omar Khayyám) The Long Rest, Elihu Vedder, 1883-1884

Elihu Vedder

(Illustration for Rubáiyát of Omar Khayyám) The Long Rest, 1883-1884

Smithsonian American Art Museum

(Illustration for Rubáiyát of Omar Khayyám) Theology, Elihu Vedder, 1883-1884

Elihu Vedder

(Illustration for Rubáiyát of Omar Khayyám) Theology, 1883-1884

Smithsonian American Art Museum