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Where the masterpiece hangs, and when they let you in.

Collections: Art Institute of Chicago, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (6 museums), Paris Musées (12 museums), and Joconde, the French Ministry of Culture's museum database (495 museums). Images belong to their rights holders.

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  3. Untitled
Untitled, Yasuhiro Ishimoto, 1949/50, printed later
Yasuhiro Ishimoto, portraitYasuhiro IshimotoJapanese, 1921–2012

Untitled

1949/50, printed later · Photograph

Particulars

1949/50, printed later · aged 28
19212012
Accession number
1992.1110

More by Yasuhiro Ishimoto

All works

Neighbors at Art Institute of Chicago

Museum page

On the same theme · Car

All works on the theme

May one see it?

Not receiving at present

Art Institute of Chicago

Chicago, United States

It belongs to the collection, but is not on display at present.

Checked
3 days ago
In this state since
Aug 19, 2026
Source
The museum
On the mapMuseum page

What it shows

CarCity scenesStreetCityWinterSnow

In the catalog

PhotographsGelatin silver printPost-war art20th centuryJapan

Sources

  • Art Institute of Chicago
  • Image: Art Institute of Chicago — © the artist or rights holder
Composition Number 1, Yasuhiro Ishimoto, 1936-58

Composition Number 1

1936-58 · Not on view · The Museum of Modern Art

Nude, Yasuhiro Ishimoto, 1936-58

Nude

1936-58 · Not on view · The Museum of Modern Art

Composition Number 2, Yasuhiro Ishimoto, 1936-58

Composition Number 2

1936-58 · Not on view · The Museum of Modern Art

Katsura Imperial Villa, Yasuhiro Ishimoto, 1936-58

Katsura Imperial Villa

1936-58 · Not on view · The Museum of Modern Art

Vegetable Stand, Yasuhiro Ishimoto, 1936-58

Vegetable Stand

1936-58 · Not on view · The Museum of Modern Art

Untitled from the series Chicago, Yasuhiro Ishimoto, 1950

Untitled from the series Chicago

1950 · Not on view · The Museum of Modern Art

Untitled from the series Chicago, Yasuhiro Ishimoto, 1950

Untitled from the series Chicago

1950 · Not on view · The Museum of Modern Art

Untitled, Yasuhiro Ishimoto, c. 1950

Untitled

c. 1950 · Not on view · The Museum of Modern Art

The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

A Sunday Afternoon on the Island of La Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Two Sisters (On the Terrace), 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

The Basket of Apples, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942

Jed Johnson and Roland Waden, Andy Warhol, July 22, 1980

Andy Warhol

Jed Johnson and Roland Waden, July 22, 1980

Not on view · National Gallery of Art

Automobilist, Marc Chagall, 1922

Marc Chagall

Automobilist, 1922

Not on view · National Gallery of Art

The Motorist (L'automobiliste), Henri de Toulouse-Lautrec, 1896

Henri de Toulouse-Lautrec

The Motorist (L'automobiliste), 1896

Not on view · National Gallery of Art

All dressed up with tie & tweed jacket, recently matriculated for M.A. at U.C. Berkeley, I'd just written Part II _Howl_, _Supermarket in California_, & _Sunflower Sutra_, clean-shaven poet, on Berkeley Street lighting a coffin-nail, camera in Peter Orlovsky's hands, 1956., Allen Ginsberg, 1956, printed later

Allen Ginsberg

All dressed up with tie & tweed jacket, recently matriculated for M.A. at U.C. Berkeley, I'd just written Part II _Howl_, _Supermarket in California_, & _Sunflower Sutra_, clean-shaven poet, on Berkeley Street lighting a coffin-nail, camera in Peter Orlovsky's hands, 1956., 1956, printed later

Not on view · National Gallery of Art

Karen Minzer & Babe, Dallas. This is the good one. The eyes strong, Allen Ginsberg, 1985

Allen Ginsberg

Karen Minzer & Babe, Dallas. This is the good one. The eyes strong, 1985

Not on view · National Gallery of Art

Peter Orlovsky age 23 on Ginny Lehrman's lawn Berkeley, Allen Ginsberg, 1956, printed later

Allen Ginsberg

Peter Orlovsky age 23 on Ginny Lehrman's lawn Berkeley, 1956, printed later

Not on view · National Gallery of Art

Robert Frank & his car rented for him by Atlantic Center For Arts where we taught together three weeks with jazz drum genius Elvin Jones. We’d come to town New Smyrna Beach on errands, he showed me how to use his polaroid 195 that gives negative, but when we washed it in his plastic container of water, car-heat-cooked in Florida mid-day sun, the emulsion cracked, dissolved—this copy print from original is o.k. to catch his smile at my amateur focus, June 1984., Allen Ginsberg, 1984

Allen Ginsberg

Robert Frank & his car rented for him by Atlantic Center For Arts where we taught together three weeks with jazz drum genius Elvin Jones. We’d come to town New Smyrna Beach on errands, he showed me how to use his polaroid 195 that gives negative, but when we washed it in his plastic container of water, car-heat-cooked in Florida mid-day sun, the emulsion cracked, dissolved—this copy print from original is o.k. to catch his smile at my amateur focus, June 1984., 1984

Not on view · National Gallery of Art

Harry Smith talking to Scotch folk-singer English Professor at University of Mississippi who drove me to visit Ike's Barber Shop in Clarksdale-- Ike had played in Black rhythm & Blues bands around the 40's Country & his shop was legendary social center after he'd returned to his home town-- Harry came to record the rhythm of his barber scissors & razor strapping as we spent the afternoon hanging out & listening to the jukebox by the bar, back of the Barbershop. Later we drove across the Mississippi River & returned to "ole' Miss" at Oxford by midnight, April 19, 1987., Allen Ginsberg, 1987

Allen Ginsberg

Harry Smith talking to Scotch folk-singer English Professor at University of Mississippi who drove me to visit Ike's Barber Shop in Clarksdale-- Ike had played in Black rhythm & Blues bands around the 40's Country & his shop was legendary social center after he'd returned to his home town-- Harry came to record the rhythm of his barber scissors & razor strapping as we spent the afternoon hanging out & listening to the jukebox by the bar, back of the Barbershop. Later we drove across the Mississippi River & returned to "ole' Miss" at Oxford by midnight, April 19, 1987., 1987

Not on view · National Gallery of Art