ART WIKI32,963 on view
MapCollectionArtistsMuseumsExhibitionsJournal
Sign in

ART WIKI

Where the masterpiece hangs, and when they let you in.

Collections: Art Institute of Chicago, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (6 museums), Paris Musées (12 museums), and Joconde, the French Ministry of Culture's museum database (495 museums). Images belong to their rights holders.

Sections

  • Map
  • Search
  • Collection
  • Masterpieces
  • On view now
  • Artists

More

  • Museums & galleries
  • Exhibitions
  • Journal
  • Where the data comes from
  • Privacy & cookies
HomeMapBrowse
  1. Collection/
  2. Art Institute of Chicago/
  3. Untitled, Ourches Airdrome
Untitled, Ourches Airdrome, Edward Steichen, 1918/19
Edward Steichen, portraitEdward SteichenAmerican, 1879–1973

Untitled, Ourches Airdrome

1918/19 · Photograph

May one see it?

Not receiving at present

Art Institute of Chicago

Chicago, United States

It belongs to the collection, but is not on display at present.

Checked
3 days ago
In this state since
Aug 19, 2026
Source
The museum
On the mapMuseum page

About the work

Edward Steichen was one of the most influential photographers of the 20th century—a pioneering champion of art photography and an innovator in fashion and commercial photography. Lesser known, however, is his important role in World War I, as chief of the Photographic Section of the American Expeditionary Forces (AEF) from 1917 to 1919. Steichen, who had come to regard France as a second homeland after living there from 1906 to 1914, was quick to enlist once the United Statesa officially entered the war in 1917. Though at 38 he was eight years older than the Signal Corps age limit, his experience as a photographer made him a valuable recruit, and he entered active duty in July 1917 as a first lieutenant.

Read on

World War I, sometimes called the first “modern” war, was marked by groundbreaking advances in technology, including photography. Steichen intended to be “a photographic reporter, as Mathew Brady had been in the Civil War,” but he quickly abandoned this romantic notion to help implement one of the newest weapons—aerial photography. Taking images from airplanes made it possible not only to observe a wide swath of the battlefield but also to track daily changes on the front lines.

Steichen was assigned to the newly formed Photographic Section, led by Major James Barnes, and together they oversaw the training and outfitting of aerial-photography and surveillance units that proved their usefulness over the course of the war. Steichen also worked to standardize cameras, materials, and formats across the various national armies in order to simplify cooperation among the Allied forces.

This album was assembled by Steichen in 1919 from prints he kept after his military discharge. Many such pictures entered public and private collections; in some cases, they were assembled into albums that chronicled aerial photography during the war. Steichen’s pride in his work for the AEF is made clear in this unique compilation, which he personally captioned and dedicated to a member of a prominent family of art patrons.

To learn more about this album, visit http://archive.artic.edu/steichen/index.html.

Art Institute of Chicago · CC BY 4.0

Particulars

1918/19 · aged 39
18791973
Accession number
1977.741

In the catalog

PhotographsGelatin silver printModernism20th centuryUnited States

Sources

  • Art Institute of Chicago
  • Image: Art Institute of Chicago — © the artist or rights holder

More by Edward Steichen

All works
Vitality–Yvette Guilbert, Edward Steichen, 1901

Vitality–Yvette Guilbert

1901 · The Museum of Modern Art

The Big White Cloud, Edward Steichen, 1903

The Big White Cloud

1903 · The Museum of Modern Art

Gertrude Käsebier, Edward Steichen, c. 1907

Gertrude Käsebier

c. 1907 · The Museum of Modern Art

My Little Sister, Edward Steichen, 1895

My Little Sister

1895 · Not on view · The Museum of Modern Art

Vrouw met zwarte vaas, Edward Steichen, c. 1896 - in or before 1901

Vrouw met zwarte vaas

c. 1896 - in or before 1901 · Rijksmuseum

Portret van een onbekende vrouw, Edward Steichen, c. 1896 - in or before 1901

Portret van een onbekende vrouw

c. 1896 - in or before 1901 · Rijksmuseum

Beekje in een bos, Edward Steichen, c. 1896 - in or before 1901

Beekje in een bos

c. 1896 - in or before 1901 · Rijksmuseum

Portret van Frits Thaulow, Edward Steichen, c. 1897 - in or before 1902

Portret van Frits Thaulow

c. 1897 - in or before 1902 · Rijksmuseum

Neighbors at Art Institute of Chicago

Museum page
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

A Sunday Afternoon on the Island of La Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Two Sisters (On the Terrace), 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

The Basket of Apples, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942