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  3. Two Lines, One Job
Two Lines, One Job, Joseph Friebert, 1939
Joseph Friebert, portraitJoseph FriebertAmerican, 1908–2002

Two Lines, One Job

1939 · Painting

May one see it?

Yes, receiving visitors

Art Institute of Chicago

Chicago, United States

Room263

On public display.

Checked
2 days ago
In this state since
Aug 19, 2026
Source
The museum's own collection data
On the mapMuseum page

About the painting

Joseph Friebert used muted tones and a loose, sketchy style to portray two lines of men seen from behind, leaving them faceless and anonymous. During the Great Depression, the Milwaukee artist was determined to depict the hardships and harsh conditions that workers faced, including unemployment. Here the rhythmic pairs of figures merge and blur in the distance, suggesting that their shared fate was to endure a lengthy and perhaps futile wait for a lone job. The painting thus conveys the hopelessness felt by job seekers during the Depression, a sense accentuated by the rough texture of the painted surface.

Art Institute of Chicago · CC BY 4.0

Particulars

1939 · aged 31
19082002
Accession number
2022.244

What it shows

WorkLaborPoverty

In the catalog

PaintingsOilAmerican paintingModernism20th centurySocialist realistUnited States

Sources

  • Art Institute of Chicago: the museum's own open data · fetched 8 days ago
  • Image: Art Institute of Chicago — © the artist or rights holder

More by Joseph Friebert

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War, Joseph Friebert, 1939

War

1939 · Not on view · Art Institute of Chicago

State Street Sadie, Joseph Friebert, 1939

State Street Sadie

1939 · Not on view · Art Institute of Chicago

Two Lines, One Job, Joseph Friebert, 1939

Two Lines, One Job

1939 · Not on view · Art Institute of Chicago

Street Workers, Joseph Friebert, 1940

Street Workers

1940 · Not on view · Art Institute of Chicago

Refugees, Joseph Friebert, 1943

Refugees

1943 · Not on view · Art Institute of Chicago

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Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

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American Gothic, Grant Wood, 1930

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Nighthawks, Edward Hopper, 1942

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