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  3. Two Birds
Two Birds, Edward Burne-Jones, 19th century
Edward Burne-Jones, portraitEdward Burne-JonesBritish, 1833–1898

Two Birds

19th century · Drawing

May one see it?

Not receiving at present

Harvard Art Museums

Cambridge, United States

It belongs to the collection, but is not on display at present.

Checked
3 days ago
In this state since
Sep 27, 2026
Source
The museum
On the mapMuseum page

Particulars

Accession number
1943.1815.15.44

In the catalog

Drawings & watercolorsGraphiteNeoclassicismRomanticism19th centuryBritish

Sources

  • Harvard Art Museums
  • Image: Harvard Art Museums — © President and Fellows of Harvard College

Meanwhile, in the life of Edward Burne-Jones

The whole life
  1. 28 August 1833

    Born

  2. 1853

    Meets William Morris at Oxford

    While reading theology at Exeter College, Oxford, Burne-Jones met William Morris. Both were captivated by the Pre-Raphaelites’ paintings, and in time both resolved to give up theology for painting.

  3. 1856

    Meets Dante Gabriel Rossetti

    Admirers of Rossetti’s work, Burne-Jones and Morris met him by recruiting him as a contributor to the “Oxford and Cambridge Magazine”, founded by Morris in 1856 to promote the ideas of their Oxford “Brotherhood”. Under Rossetti’s influence both decided to become artists, and Burne-Jones, who had meant to enter the Church, left Oxford without taking a degree.

  4. 1861

    Co-founds Morris, Marshall, Faulkner & Co.

    William Morris founded a decorative-arts firm with Burne-Jones, Rossetti, Ford Madox Brown, Philip Webb, Charles Faulkner and Peter Paul Marshall as partners. It undertook carving, stained glass, metalwork, wallpapers, printed fabrics and carpets, and from the first the decoration of churches.

  5. May 1877

    Triumph at the opening of the Grosvenor Gallery

    At the first exhibition of the new Grosvenor Gallery, a rival to the Royal Academy, he showed eight oil paintings, among them “The Days of Creation”, “The Beguiling of Merlin” and “The Mirror of Venus”. Their success made him the herald and star of the new Aesthetic Movement.

  6. 17 June 1898

    Died

More by Edward Burne-Jones

All works
The Love Song, Sir Edward Burne-Jones, 1868–77

The Love Song

1868–77 · The Metropolitan Museum of Art

Venus with Golden Apple in Right Hand, for the Troy Triptych (sketchbook #2639), Sir Edward Burne-Jones, c. 1873–77

Venus with Golden Apple in Right Hand, for the Troy Triptych (sketchbook #2639)

c. 1873–77 · Art Institute of Chicago

Phineus and His Courtiers Turned into Stone, Edward Burne-Jones, about 1876–1878

Phineus and His Courtiers Turned into Stone

about 1876–1878 · J. Paul Getty Museum

Flamma Vestalis, Edward Burne-Jones, before 1888

Flamma Vestalis

before 1888 · Harvard Art Museums

Venus, Sir Edward Coley Burne-Jones

Venus

Not on view · National Gallery of Art

Orpheus and Eurydice, Sir Edward Coley Burne-Jones

Orpheus and Eurydice

Not on view · National Gallery of Art

A Fragment from an Antique Frieze, Sir Edward Coley Burne-Jones

A Fragment from an Antique Frieze

Not on view · National Gallery of Art

The Temple of Love, Edward Burne-Jones

The Temple of Love

The National Gallery

Neighbors at Harvard Art Museums

Museum page
Glück auf in Deutschland (N:4), Pınar Öğrenci, 2024

Pınar Öğrenci

Glück auf in Deutschland (N:4), 2024

Glück auf in Deutschland (N:10), Pınar Öğrenci, 2024

Pınar Öğrenci

Glück auf in Deutschland (N:10), 2024

Glück auf in Deutschland (N:7b), Pınar Öğrenci, 2024

Pınar Öğrenci

Glück auf in Deutschland (N:7b), 2024

Glück auf in Deutschland (N:6), Pınar Öğrenci, 2024

Pınar Öğrenci

Glück auf in Deutschland (N:6), 2024

Glück auf in Deutschland (N:11), Pınar Öğrenci, 2024

Pınar Öğrenci

Glück auf in Deutschland (N:11), 2024

Dwarpalika (Temple Guardian), Sneha Shrestha, 2023

Sneha Shrestha

Dwarpalika (Temple Guardian), 2023

The Eternal Pond of the Universe, Bingyi 冰逸, 2022-2024

Bingyi 冰逸

The Eternal Pond of the Universe, 2022-2024

Triangle Constellation, Carlos Amorales, 2015

Carlos Amorales

Triangle Constellation, 2015