Twentieth Century Fox, Edward Weston, 1940
Edward Weston, portraitEdward WestonAmerican, 1886–1958

Twentieth Century Fox

1940 · Photograph

Can I see it?

Not on view at present

Where is “Twentieth Century Fox” now? Collection: The Museum of Modern Art, New York. Not on view at present. Checked September 22, 2026.

The Museum of Modern Art

New York, United States

It belongs to the collection, but is not on display at present.

Checked
Source
The museum

Details

Accession number
1862.1968

In the catalog

Sources

In the life of Edward Weston

The whole life
  1. 1937–1939

    Nearly 1,400 negatives in two years on the fellowship

    The first photographer to receive a Guggenheim Fellowship, he produces nearly 1,400 negatives over the next two years with his 8 × 10 view camera.

  2. by 1939

    The house on Wildcat Hill in the Carmel Highlands

    Weston commissions his son Neil to build a small house in the Carmel Highlands on land owned by Wilson’s father. They name the place “Wildcat Hill” after the many domestic cats that soon occupy the grounds. Wilson sets up a writing studio in what was meant to be a small garage behind the house and spends several months writing and editing stories from their travels.

  3. 1939

    “Seeing California with Edward Weston”

    In 1939 “Seeing California with Edward Weston” is published, with photographs by Weston and text by Wilson.

  4. 24 April 1939

    Marries Charis Wilson

    Finally relieved of past financial stress and inordinately happy with both his work and his relationship, Weston marries Wilson in a small ceremony on 24 April.

  5. summer 1940

    Teaches at the first Ansel Adams Workshop

    In the summer of 1940 Weston teaches photography at the first Ansel Adams Workshop in Yosemite National Park.

  6. 28 May 1941

    The trip to illustrate Whitman’s “Leaves of Grass”

    Just as the Guggenheim money is running out, Weston is invited to illustrate a new edition of Walt Whitman’s “Leaves of Grass”: $1,000 for the photographs and $500 for travel expenses. He insists on artistic control and refuses to make literal illustrations of Whitman’s text. On 28 May he and Wilson set out on a trip that will cover 20,000 miles through 24 states; he takes between 700 and 800 8×10 negatives as well as dozens of Graflex portraits.

All works

On view at The Museum of Modern Art

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