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  1. Collection/
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  3. Twee putti
Twee putti, Charles Le Brun, 1629 - 1690
Charles Le Brun, portraitCharles Le BrunFrench, 1619–1690

Twee putti

1629 - 1690 · Print

May one see it?

Unknown

Rijksmuseum

Amsterdam, Netherlands

The owner is known; whether it is on view today is not.

Source
The museum
On the mapMuseum page

Particulars

1629 - 1690
16191690
Accession number
RP-P-1967-258

What it shows

Cupids: 'amores', 'amoretti', 'putti

In the catalog

PrintsBaroque17th century

Sources

  • Rijksmuseum
  • Image: Rijksmuseum — public domain

Meanwhile, in the life of Charles Le Brun

The whole life
  1. c. 1630

    At eleven he becomes a pupil of Simon Vouet

    When the boy turned eleven, his uncle André Le Blé — tutor to the children of the future chancellor Pierre Séguier — recommended his nephew for training for the public service; Charles became an apprentice to the painter Simon Vouet. He also studied with François Perrier.

  2. 1642

    He travels to Rome with Poussin

    In 1642 he sets out for Rome with Poussin; thanks to a scholarship from Chancellor Séguier he works there for four years under Poussin, studies ancient Roman sculpture, copies Raphael and meets local artists.

  3. 1648

    The Royal Academy of Painting and Sculpture is founded

    Le Brun is the driving force behind the creation of the Royal Academy of Painting and Sculpture and is elected one of its original twelve elders in charge of its running.

  4. 1660

    The Gobelins Manufactory is founded

    With Colbert he founds the Gobelins manufactory — at first a great school producing not only tapestries but every kind of furniture required for the royal palaces; Le Brun becomes its director and through it commands the industrial arts.

  5. December 1662

    Louis XIV ennobles Le Brun

    The king is so delighted with the first picture of the series, “Alexander and the Family of Darius”, that he at once ennobles the artist and grants him a pension of 12,000 livres, the same sum he had received yearly in Fouquet's service. From then on everything done in the royal palaces is directed by Le Brun.

  6. 12 February 1690

    Died

More by Charles Le Brun

All works
The Jabach Family, Charles Le Brun, ca. 1660

The Jabach Family

ca. 1660 · The Metropolitan Museum of Art

The Agony in the Garden, Charles Le Brun, 17th century

The Agony in the Garden

17th century · State Hermitage Museum

Daedalus and Icarus, Charles Le Brun, 1640s

Daedalus and Icarus

1640s · State Hermitage Museum

Le Tombeau de Sénèque, Le Brun, Charles, XVIIe siècle (vers 1642 - 1644)

Le Tombeau de Sénèque

17th century (c. 1642–1644) · Musée du Louvre

Pietà, Le Brun, Charles, 2e quart du XVIIe siècle (vers 1644)

Pietà

second quarter of the 17th century (c. 1644) · Musée du Louvre

The Martyrdom of Saint Andrew, Charles Le Brun, 1646–1647

The Martyrdom of Saint Andrew

1646–1647 · J. Paul Getty Museum

The Sacrifice of Polyxena, Charles Le Brun, 1647

The Sacrifice of Polyxena

1647 · The Metropolitan Museum of Art

La Sainte Famille avant le retour d'Egypte, Le Brun, Charles, 3e quart du XVIIe siècle (vers 1655)

La Sainte Famille avant le retour d'Egypte

third quarter of the 17th century (c. 1655) · Musée du Louvre

Neighbors at Rijksmuseum

Museum page
Self-portrait, Vincent van Gogh, 1887

Vincent van Gogh

Self-portrait, 1887

La Corniche near Monaco, Claude Monet, 1884

Claude Monet

La Corniche bij Monaco, 1884

De Nachtwacht, Rembrandt van Rijn, 1642

Rembrandt van Rijn

The Night Watch, 1642

Portrait of a Woman, Probably Maria Trip (1619-1683), Rembrandt van Rijn, 1639

Rembrandt van Rijn

Portrait of Maria Trip, 1639

Still Life with Peacocks, Rembrandt van Rijn, c. 1639

Rembrandt van Rijn

Still Life with Peacocks, c. 1639

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

The Stone Bridge, c. 1638

Man in Oriental Dress, Rembrandt van Rijn, 1635

Rembrandt van Rijn

Man in Oriental Dress, 1635

Portrait of Haesje Jacobsdr van Cleyburg, Rembrandt van Rijn, 1634

Rembrandt van Rijn

Portrait of Haesje Jacobsdr van Cleyburg, 1634