Цветы, Natalia Goncharova, 1906-1911
Natalia Goncharova, portraitNatalia GoncharovaRussian, 1881–1962

Цветы

1906-1911 · Painting · 92.5 × 73 cm

Can I see it?

Unknown

Where is “Цветы” now? Collection: Vyatskiy Art Museum, Kirov. Unknown.

Vyatskiy Art Museum

Kirov, Russia

The owner is known; whether it is on view today is not.

In this state since
Source
The museum

About the painting

Museum text in Russian

Букет синих, красных и белых цветов в черной вазе на темно-зеленой с узором скатерти.

Vyatskiy Art Museum

Details

Accession number
Ж-71

In the catalog

Sources

  • The State Catalogue of the Museum Fund of Russia
  • Image: Vyatskiy Art Museum — © Вятский художественный музей имени В. М. и А. М. Васнецовых · Госкаталог музейного фонда РФ

In the life of Natalia Goncharova

The whole life
  1. 1904

    From sculpture to painting, under Korovin

    Back at the school, Goncharova moved to Konstantin Korovin's painting studio. The change is often credited to Larionov, who told her: “You have eyes for colour, yet you busy yourself with form.”

  2. 1906

    Russian art at the Salon d'Automne

    Goncharova exhibited at the Paris Salon d'Automne, in its Exposition de l'art russe.

  3. 24 March 1910

    First solo show and a charge of pornography

    At the club of the Society of Free Aesthetics Goncharova showed 22 paintings for a single day; after an anonymous notice in the newspaper “Golos Moskvy” the police seized two “Models” and the painting “God”, and she was charged with pornography.

  4. December 1910 – January 1911

    First Jack of Diamonds exhibition

    The first show of the Jack of Diamonds — Moscow's first radical independent exhibiting group, named by Larionov — included Goncharova's Primitivist and Cubist paintings.

  5. 1911

    Develops Rayonism with Larionov

    Goncharova and Larionov developed Rayonism and painted many works in the style (elsewhere Rayonism is dated 1912–1914).

  6. March – April 1912

    The Donkey's Tail: over fifty paintings

    More than fifty of her paintings hung at the first Donkey's Tail exhibition, which Larionov organised as a break with European influence; the censor confiscated “The Evangelists” as blasphemous.

All works

From the collection of Vyatskiy Art Museum

Museum page