Auguste RodinFrench, 1840–1917Triumphant Youth
Can I see it?
Not on view at present
Where is “Triumphant Youth” now? Collection: The Cleveland Museum of Art, Cleveland. Not on view at present. Checked September 29, 2026.
Cleveland, United States
It belongs to the collection, but is not on display at present.
- Checked
- In this state since
- Source
- The museum
About the sculpture
Youth Triumphant is one of the sculptures created by Auguste Rodin as part of the planning for his The Gates of Hell. It was inspired by Jean Dampt's The Grandmother's Kiss, exhibited in 1893. That work shows a young woman resting in the arms of an old woman, with the pair deeply kissing.
Details
- Accession number
- 1960.88
In the catalog
Sources
- The Cleveland Museum of Art
- Image: The Cleveland Museum of Art — Museum open access
In the life of Auguste Rodin
The whole life1890s–1900s
Young sculptors in Rodin's studio
His income let him hire gifted young sculptors, among them Antoine Bourdelle, Charles Despiau, Jules Desbois, François Pompon and Aristide Maillol. Constantin Brancusi left after two months, convinced that nothing grows under a big tree.
19 January 1892 · Award
Officer of the Legion of Honour
1893
Chicago: nudes behind a drape
Through the curator Sarah Hallowell, Rodin sent “Cupid and Psyche”, “Sphinx” and “Andromeda” to the Chicago World's Fair; the nudes caused such controversy that they were hidden behind a drape, with special permission needed to see them. Even so, the financier Charles Yerkes bought two large marbles and was probably the first American to own a Rodin.
1895
Buys the Villa des Brillants at Meudon
Rodin bought the Villa des Brillants estate near Paris and moved his studio there, but there was not enough room and two years later it went back to Paris. His income let him collect: Egyptian, Greek and Roman sculpture, Persian miniatures and paintings by his contemporaries, including Van Gogh's “Portrait of Père Tanguy”.
1895
“The Burghers of Calais” installed in Calais
Against Rodin's wishes — he had hoped to place the group at ground level near the town hall — Calais chose a high platform in front of a public garden, with a cast-iron railing. Rodin had proposed doing without a pedestal so that viewers could “penetrate to the heart of the subject”.
