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  3. Trailer Partially Covered with Asphalt
Trailer Partially Covered with Asphalt, Robert Smithson, 1970
RRobert SmithsonAmerican, 1938–1973

Trailer Partially Covered with Asphalt

1970 · Drawing and Watercolor

May one see it?

Not receiving at present

Art Institute of Chicago

Chicago, United States

It belongs to the collection, but is not on display at present.

Checked
3 days ago
In this state since
Aug 19, 2026
Source
The museum
On the mapMuseum page

About the work

Trailer Partially Covered with Asphalt was originally conceived as an alternative to Juggernaut-Boston Project (1970), a piece designed by Robert Smithson that was never realized three-dimensionally. As noted by Robert Hobbs, this composition, like Juggernaut, illustrates Smithson’s use of entropic figures in his designs. The trailer represents, in the words of Smithson, “monumental inaction” and the idea that systems of order will always fall into disorder.

Art Institute of Chicago · CC BY 4.0

Particulars

1970 · aged 32
19381973
Accession number
1988.511

In the catalog

Drawings & watercolorsGraphitePost-war art20th centuryUnited States

Sources

  • Art Institute of Chicago
  • Image: Art Institute of Chicago — © the artist or rights holder

Meanwhile, in the life of Robert Smithson

The whole life
  1. 1968

    First trip to the American West

    In 1968 Smithson visits the American West for the first time with Nancy Holt and Michael Heizer — to Virginia City, Nevada, and Lone Pine, California. Such journeys become central to his practice: his non-sites often include maps and aerial photographs of a place along with geological artifacts displaced from it.

  2. September 1968

    Essay “A Sedimentation of the Mind: Earth Projects”

    In September 1968 Smithson publishes in Artforum an essay promoting the work of the first wave of land artists. He writes a great deal in general — theoretical and critical texts for Arts Magazine and Artforum, visual-text works such as “A Heap of Language”, and in the late 1960s his work also appears in the avant-garde magazine “0 to 9”; for a period he is better known as a critic than as an artist.

  3. 1969

    Begins making land art

    In 1969 Smithson starts producing land art pieces, developing concepts gained from his reading of William S. Burroughs, J. G. Ballard and George Kubler.

  4. 1969

    Mirror travel in the Yucatán

    In 1969 Smithson sets up a series of temporary mirror sculptures at various places on the Yucatán Peninsula; the photographs of “Mirror Displacements” illustrate his essay “Incidents of Mirror-Travel in the Yucatan” — part travelogue, part critical rumination, in which his interest in time as a cornerstone of his work is plain.

  5. 1970

    Proposal “Floating Island” around Manhattan

    In 1970 Smithson makes a series of drawings for “Floating Island: To Travel around Manhattan Island”: a barge containing broken concrete or glass is to be pulled by a tugboat; in other versions the barge is filled with earth and planted with trees and other vegetation. The project remained unrealised.

  6. 30 June 1972 – 8 October 1972

    Exhibition: Documenta 5

More by Robert Smithson

All works
Glass Stratum, Robert Smithson, conceived 1967, refabricated 2014

Glass Stratum

conceived 1967, refabricated 2014 · Not on view · National Gallery of Art

The Spiral Jetty - Box Elder County Utah, Robert Smithson, n.d.

The Spiral Jetty - Box Elder County Utah

n.d. · Not on view · The Museum of Modern Art

Movie Treatment - Vacant Vacations to be Filmed in Vacant Lot, Robert Smithson, n.d.

Movie Treatment - Vacant Vacations to be Filmed in Vacant Lot

n.d. · Not on view · The Museum of Modern Art

Untitled (Film Stills Spiral Jetty), Robert Smithson, n.d.

Untitled (Film Stills Spiral Jetty)

n.d. · Not on view · The Museum of Modern Art

Untitled (Proof Positive or Puffision), Robert Smithson, 1962

Untitled (Proof Positive or Puffision)

1962 · Not on view · The Museum of Modern Art

Untitled, Robert Smithson, 1962

Untitled

1962 · Not on view · The Museum of Modern Art

Untitled, Robert Smithson, (c. 1965-67)

Untitled

(c. 1965-67) · Not on view · The Museum of Modern Art

Drawing of Enantiomorphic Chambers, Robert Smithson, 1965

Drawing of Enantiomorphic Chambers

1965 · Not on view · The Museum of Modern Art

Neighbors at Art Institute of Chicago

Museum page
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

A Sunday Afternoon on the Island of La Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Two Sisters (On the Terrace), 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

The Basket of Apples, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942