Three Studies, George Romney, late 1760s
George Romney, portraitGeorge RomneyEnglish, 1734–1802

Three Studies

late 1760s · Drawing · 11.1 × 18.7 cm

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Where is “Three Studies” now? Collection: Yale Center for British Art, New Haven. Whether it is on view today is unknown.

Yale Center for British Art

New Haven, United States

The owner is known; whether it is on view today is not.

In this state since
Source
The museum
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Accession number
B1979.12.74

In the catalog

Sources

In the life of George Romney

The whole life
  1. March 1762

    Leaves for London to seek his fortune

    In March 1762 he parts from his wife, son and daughter to seek his fortune in London; his early years in the capital are a financial struggle. Apart from a few visits to Cumbria he stays there until 1799, supporting his family from afar, though they never live with him in the capital.

  2. 1763

    “The Death of General Wolfe” at the Society of Arts competition

    His painting “The Death of General Wolfe”, entered in the Royal Society of Arts competition, is, according to Romney’s friends, awarded second prize of 50 guineas; the sum is later reduced to 25 guineas on questionable grounds.

  3. 1763

    Romney’s daughter dies

    In 1763 the daughter with whom he parted when he set out for London dies.

  4. September 1764

    A few weeks in Paris

    With his friend, the lawyer Thomas Greene, he travels to Paris to study the old masters: travel abroad is seen as a requisite of an artist’s training, and London offers very little chance to see great art.

  5. 1768

    Meets the dramatist Richard Cumberland

    Romney paints Cumberland’s portrait, and the dramatist helps to introduce him to influential patrons. He also becomes friends with the miniature painter Ozias Humphry.

  6. 1769

    Exhibits the portrait of Sir George Warren and family

    His large portrait of Sir George Warren and family, shown at the Free Society of Artists, is greatly admired and lays the foundations of his future popularity; 1769 proves a breakthrough year.

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On view at Yale Center for British Art

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