Thomas Best (1753-1815), Samuel Percy, early 19th century
Samuel Percy1750–1820

Thomas Best (1753-1815)

early 19th century · Relief

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Not receiving at present

Victoria and Albert Museum

London, United Kingdom

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

About the sculpture

During the eighteenth and nineteenth centuries, low relief portraits in wax became popular in Britain and they were often exhibited at the Royal Academy, the Society of Artists and elsewhere. Waxes were used in a similar way to prints and medals, in order to disseminate the image of the sitter, or, like miniature paintings or silhouettes as portable mementoes. The waxes were small and portable, and the nature of the material meant that they were extremely naturalistic. Sometimes they were coloured, and extra items added, such as textiles, seed pearls or coloured glass, to increase the life-like appearance of the portrayal.

Thomas Best lived at Park House in Boxley in Kent.

Victoria and Albert Museum

Particulars

Accession number
A.88-1965

What it shows

In the catalog

Sources

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