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  3. The Virgin and Child
The Virgin and Child, first half 16th century

The Virgin and Child

first half 16th century · Statuette

May one see it?

Not receiving at present

Victoria and Albert Museum

London, United Kingdom

It belongs to the collection, but is not on display at present.

Checked
12 days ago
In this state since
Sep 25, 2026
Source
The museum
On the mapMuseum page

About the sculpture

This statuette is by an unknown artist from the first half of the 16th century from Siegburg in Germany and represents the standing figure of the Virgin and Child.

The Virgin is crowned, holding on her left arm the Child, who has a cross in his left hand.

It is made of pipeclay, which is a fine white clay also used to make tobacco pipes and pottery.

Conveniently situated on a major trading route, Siegburg was a centre of ceramic production with well-organised workshops and kilns in which pipe-clay figures were also fired.

Victoria and Albert Museum

Particulars

Accession number
1576-1903

Neighbors at Victoria and Albert Museum

Museum page

On the same theme · Cross

All works on the theme

What it shows

CrossVirgin and Child

In the catalog

SculptureSiegburg

Sources

  • Victoria and Albert Museum
  • Image: Victoria and Albert Museum — © Victoria and Albert Museum, London
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Poet Gregory Corso addressing cross atop the Grey Nuns’ Orphanage grotto Kerouac immortalized in book 4 Chapter 1, _Doctor Sax_, a “gigantic pyramid of steps upon which the Cross itself poked phallically up with its poor burden the Son of Man all skewered across it in his Agony and fright – undoubtedly this statue moved in the night.” Lowell, Massachusetts, March 17, 1986., Allen Ginsberg, 1986, printed 1992

Allen Ginsberg

Poet Gregory Corso addressing cross atop the Grey Nuns’ Orphanage grotto Kerouac immortalized in book 4 Chapter 1, _Doctor Sax_, a “gigantic pyramid of steps upon which the Cross itself poked phallically up with its poor burden the Son of Man all skewered across it in his Agony and fright – undoubtedly this statue moved in the night.” Lowell, Massachusetts, March 17, 1986., 1986, printed 1992

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Honfleur: Calvary, Camille Corot, ca. 1830

Camille Corot

Honfleur: Calvary, ca. 1830

The Metropolitan Museum of Art

The Crucifixion, Bartolomé Estebán Murillo, ca. 1675

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The Metropolitan Museum of Art

Washington, D.C. Sitting beneath the emblem of the crucifixion of Jesus on Calvary. Two members of the St. Martin's Spiritual Church listen and pray., Gordon Parks, August 1942, printed later

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Washington, D.C. Sitting beneath the emblem of the crucifixion of Jesus on Calvary. Two members of the St. Martin's Spiritual Church listen and pray., August 1942, printed later

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Peruvian Peddler, Gordon Parks, 1960

Gordon Parks

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Not on view · National Gallery of Art

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The Metropolitan Museum of Art

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Giovanni Francesco Barbieri, called Guercino

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The Metropolitan Museum of Art

La Salle Erecting a Cross and Taking Possession of the Land.  March 25, 1682, George Catlin, 1847/1848

George Catlin

La Salle Erecting a Cross and Taking Possession of the Land. March 25, 1682, 1847/1848

Not on view · National Gallery of Art