The Park, Édouard Vuillard, 1894 (reworked in 1908)
Edouard Vuillard, portraitEdouard VuillardFrench, 1868–1940

The Park

1894 (reworked in 1908) · Painting

Can I see it?

Not on view at present

Where is “The Park” now? Collection: The Museum of Modern Art, New York. Not on view at present. Checked September 22, 2026.

The Museum of Modern Art

New York, United States

It belongs to the collection, but is not on display at present.

Checked
Source
The museum

Details

Accession number
600.1959

In the catalog

Sources

In the life of Edouard Vuillard

The whole life
  1. 1886–1927 · Workplace

    Paris

  2. early 1890s

    The Natanson brothers and La Revue Blanche

    Through his theatre work he meets Alexandre and Thadée Natanson, founders of the cultural review La Revue Blanche, where his graphics appear alongside work by Bonnard, Toulouse-Lautrec and Vallotton; the brothers become his important patrons. Other accounts say they had known each other since the Lycée Condorcet.

  3. 1892

    First decorative commission: panels for the Desmarais house

    On a commission for the Natanson brothers he paints six panels above the doors of the Desmarais family’s salon, his first “apartment frescoes”. It is the first of eight decorative cycles made between 1892 and 1899, some thirty panels in all.

  4. 1900

    The Nabis part ways and Vuillard’s manner changes

    After their exhibition of 1900 the Nabis go their separate ways; Vuillard abandons the close, dark interiors, paints more outdoors in natural light and gradually returns to naturalism, with lighter, deeper interiors and clearer faces.

  5. 1900

    Meets Lucy Hessel

    He meets Lucy Hessel, the wife of a Swiss art dealer, who becomes his new muse: each year she travels with him to Normandy from July to September, advises him, and stays with him until the end of his life despite many rivals and dramatic scenes.

  6. November 1908

    Solo exhibition at the Galerie Bernheim-Jeune

    His second large personal exhibition presents many of his new landscapes; one anti-modernist critic praises him for his protest against systematic deformations.

All works

On view at The Museum of Modern Art

Museum page