The Men’s Bath, Albrecht Dürer, 1496/97
Albrecht Dürer, portraitAlbrecht DürerGerman, 1471–1528

The Men’s Bath

1496/97 · Print

Can I see it?

Not on view at present

Where is “The Men’s Bath” now? Collection: Art Institute of Chicago, Chicago. Not on view at present. Checked September 29, 2026.

Art Institute of Chicago

Chicago, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

About the work

Albrecht Dürer’s strikingly modern woodcut of men relaxing at an open-air bath boasts deep, dark ink and a warm, creamy paper tone suited to its celebration of naked flesh. This impression looks much the way it would have when it came off Dürer’s press around 1497. While others might have been posted on walls, perhaps at bathhouses, this particular Men’s Bath appears to have largely escaped handling until close to the present day. While ostensibly a genre scene, the print may protest the Nuremberg Council’s 1496 edict forbidding the town’s residents to visit bathhouses after an outbreak of syphilis and a drought.

Art Institute of ChicagoCC BY 4.0

Details

Accession number
2009.133

In the catalog

Sources

In the life of Albrecht Dürer

The whole life
  1. c. 1492 – 1494

    Basel: woodcuts for the printers

    In Basel, a centre of printing, Dürer stayed with Georg Schongauer. A woodblock for the title page of the Letters of St Jerome (1492), signed with his name on the back, led to the works of the “Master of the Bergmann Press” being attributed to him; he may also have worked on the woodcuts for Sebastian Brant's Ship of Fools.

  2. July 1494

    Marries Agnes Frey

    Soon after returning to Nuremberg the 23-year-old Dürer married Agnes Frey, daughter of a prominent brass worker and amateur harpist; the match had been arranged in his absence, and marriage was required to open a workshop of his own. They had no children, and his letters suggest the marriage was not a happy one.

  3. 7 July 1494

    Married: Agnes Dürer

  4. 1494–1495

    First journey to Italy

    Within three months of the wedding Dürer left alone for Italy, perhaps fleeing an outbreak of plague in Nuremberg. Crossing the Alps he made watercolour landscapes; in Venice he studied its art and judged Giovanni Bellini the best of its painters; Mantegna and Pollaiuolo left their mark on him.

  5. 1495

    Opens his own workshop

    Dürer opened his own workshop in Nuremberg, where over the next ten years he created much of his printmaking. His godfather, the publisher Anton Koberger, helped issue the first series; the city's crafts were governed by the Council rather than guilds, leaving him free to try new techniques and sell his own impressions.

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