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  3. The Letter
The Letter, Michel Garnier, 1791

The Letter

1791 · Painting · 46.99 × 37.47 cm

About the painting

The crumpled envelope cast to the floor indicates the eagerness with which this woman opened the letter she grasps in one hand. Her attention, however, is now turned to the miniature (small portrait) she holds in the other. Before the invention of photography, miniatures kept lovers close to one another’s hearts. But who is courting this woman? Their identity hidden from us, we can only speculate. The music book on the harpsicord and the elegant interior indicate that the woman in the painting is a member of the fashionable Parisian elite. With powdered hair and a ruffled apron covering her dress, she is likely the head of her household. But her slight smile, arched eyebrows, and sidelong gaze—as well as the older servant’s interest—suggests intrigue. Is the subject her husband, or perhaps a new suitor? As the artist intended, this delicately painted intimate scene coyly raises more questions than answers.

Minneapolis Institute of Art

Particulars

1791 · aged 38
17531829
Accession number
64.63.2

More by Michel Garnier

All works

In the same room · G314, Minneapolis Institute of Art

Museum page

Sources

  • Minneapolis Institute of Art
  • Image: Minneapolis Institute of Art — public domain
MMichel GarnierFrench, 1753–1829

May one see it?

Yes, receiving visitors

Minneapolis Institute of Art

Minneapolis, United States

RoomG314

On public display.

Checked
3 days ago
In this state since
Sep 25, 2026
Source
The museum
On the mapMuseum page
The Poorly Defended Rose, Michel Garnier, 1789

The Poorly Defended Rose

1789 · Minneapolis Institute of Art

Portrait de Louis-Philippe-Joseph d'Orléans, duc de Chartres (futur duc d'Orléans Philippe-Egalité), en costume de Grand-Maître des Francs-Maçons, Michel Garnier, 1777 vers

Portrait de Louis-Philippe-Joseph d'Orléans, duc de Chartres (futur duc d'Orléans Philippe-Egalité), en costume de Grand-Maître des Francs-Maçons

Musée Condé

Scène de reproches, Michel Garnier, 1794

Scène de reproches

1794 · Musée des Beaux-Arts de Dijon

Le Contrat de mariage interrompu, Michel Garnier, Vers 1789

Le Contrat de mariage interrompu

c. 1789 · Musée Carnavalet, Histoire de Paris

La Rencontre, Michel Garnier, 1795

La Rencontre

1795 · Musée Antoine-Lécuyer

Study for the Assumption of the Virgin, Jean-Baptiste Deshays, 1758

Jean-Baptiste Deshays

Study for the Assumption of the Virgin, 1758

The Pleasures of the Seasons: Autumn, Johann Georg Platzer, c. 1730

Johann Georg Platzer

The Pleasures of the Seasons: Autumn, c. 1730

The Pleasures of the Seasons: Summer, Johann Georg Platzer, c. 1730

Johann Georg Platzer

The Pleasures of the Seasons: Summer, c. 1730

The Pleasures of the Seasons: Winter, Johann Georg Platzer, c. 1730

Johann Georg Platzer

The Pleasures of the Seasons: Winter, c. 1730

The Pleasures of the Seasons: Spring, Johann Georg Platzer, c. 1730

Johann Georg Platzer

The Pleasures of the Seasons: Spring, c. 1730

View of the Saône and the Château Pierre-Scize (Lyon, France), William Marlow, late 18th century

William Marlow

View of the Saône and the Château Pierre-Scize (Lyon, France), late 18th century

Castle on the Rhône River, France, William Marlow, c. 1765–80

William Marlow

Castle on the Rhône River, France, c. 1765–80

The Glorification of Andrea Doria, Domenico Corvi, c. 1750–68

Domenico Corvi

The Glorification of Andrea Doria, c. 1750–68

In the catalog

PaintingsOilFrench paintingNeoclassicism18th centuryFrance