The Laundress, Jean-Baptiste Greuze, c. 1761
Jean Baptiste Greuze, portraitJean Baptiste GreuzeFrench, 1725–1805

The Laundress

c. 1761 · Painting

Can I see it?

Yes, on view now

Where is “The Laundress” now? Harvard Art Museums, Gallery 2220, floor 2, European and American Art, 17th–19th century, Cambridge. Yes, on view now. Checked October 12, 2026.

Harvard Art Museums

Cambridge, United States

Room2220, floor 2, European and American Art, 17th–19th century

On public display.

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In this state since
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The museum
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About the painting

This painting is the artist’s replica of one shown at the Salon of 1761 that received nearly universal acclaim. At first glance, it seems as if the dutiful laundress has been interrupted, and simply looks up from her task to meet the viewer’s gaze. Closer inspection suggests that she may not be a domestic absorbed by her daily activities: she is fairly well attired, and her hands and forearms look as if they have never washed laundry. The artist Gabriel de Saint-Aubin (1724–1780) identified the sitter, who appears in other works by Greuze, as a professional model. The fixed and unusual directness of her gaze, as well as the seductiveness of her smile — undoubtedly a reference to the contemporary belief that laundresses were promiscuous, unclean, and dishonest — led the renowned eighteenth-century critic Denis Diderot to write, “She’s a rascal I wouldn’t trust a bit.”

Harvard Art Museums

Details

Accession number
1957.181

In the catalog

Sources

In the life of Jean Baptiste Greuze

The whole life
  1. 3 February 1759

    Marries Anne-Gabrielle Babuti

    Greuze marries Anne-Gabrielle Babuti, daughter of François Babuti, a bookseller on the Quai des Augustins; he will paint his father-in-law’s portrait in 1761.

  2. 16 April 1762

    Daughter born: Anna-Geneviève Greuze

  3. 1763

    The Paralytic and the triumph of the Salon of 1763

    Greuze exhibits at the Salons of 1759, 1761 and 1763 with growing success; the high point is The Paralytic (1763), which immediately wins unheard-of fame. The painting is bought by Empress Catherine II on the recommendation of Diderot, one of its most passionate admirers.

All works

In the same room · Gallery 2220, floor 2, European and American Art, 17th–19th century, Harvard Art Museums

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