The Lacedaemonian Ambassadors, Aubrey Vincent Beardsley, 1896
Aubrey Beardsley, portraitAubrey BeardsleyBritish, 1872–1898

The Lacedaemonian Ambassadors

1896 · Drawing · 26.2 × 18 cm

Can I see it?

Not on view at present

Where is “The Lacedaemonian Ambassadors” now? Collection: Victoria and Albert Museum, London. Not on view at present. Checked September 25, 2026.

Victoria and Albert Museum

London, United Kingdom

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

About the work

Aubrey Beardsley's distinctive black and white drawings for Oscar Wilde's Salomé, published in 1894, brought him an extraordinary notoriety whilst still in his early twenties. His work for the periodical The Yellow Book confirmed his position as the most innovative illustrator of the day, but as a result of the hostile moralistic outcry that followed the arrest and trial of Oscar Wilde in early 1895, John Lane and other publishers panicked and dropped Beardsley. Thereafter, almost the only publisher who would use his drawings was Leonard Smithers. Smithers was a brilliant but shady character who operated on the fringes of the rare book trade, issuing small, clandestine editions of risqué books with the boast: 'I will publish the things the others are afraid to touch'. Smithers encouraged Beardsley's already growing interest in French, Latin and Greek texts of this kind and commissioned drawings to illustrate the Satires of the late Roman poet Juvenal and, most famously, Aristophanes's bawdy satirical play Lysistrata.

Read on

Beardsley knew of the ancient Greek theatrical tradition whereby the actors in comedies wore enormous stage-prop phalluses. He made appropriate and amusing use of the motif in several of his illustrations to Aristphanes' broad sexual comedy. Here he also makes a play upon the idea that in time of war the Lacedaemonian men dressed their hair and wore make-up without damaging their potency.

Victoria and Albert Museum

Details

Accession number
E.301-1972

What it shows

In the catalog

Sources

In the life of Aubrey Beardsley

The whole life
  1. 1894

    Art editor of The Yellow Book

    In 1894 Beardsley, together with the American writer Henry Harland, became art editor of The Yellow Book; for its first four issues he produced the covers and many illustrations.

  2. 1894–1896

    His health sharply declines

    Between 1894 and 1896, at the height of his success, his health sharply deteriorated. “I know my illness is incurable,” he wrote to Raffalovich, “but I am sure measures can be taken to slow its course.”

  3. April 1895

    Wilde's arrest costs him The Yellow Book

    When Oscar Wilde was arrested in April 1895, a journalist mistakenly wrote that he had taken “the yellow book” to prison rather than simply a yellow-covered book. For Victorian England that was enough: Beardsley lost his place at the magazine and his livelihood.

  4. 31 March 1897

    Received into the Catholic Church

    On 31 March 1897 Beardsley was received into the Catholic Church. His close friends included both Anglican clergymen and Catholic priests, who acknowledged the sincerity and depth of his faith.

  5. April 1897

    Moves to Menton

    By April 1897 his failing health prompted a move to the French Riviera, to Menton. There he was cared for by his mother and his sister Mabel, while his chief financial support came from the writer and patron Marc-André Raffalovich.

  6. 16 March 1898

    Death in Menton

    Beardsley died of tuberculosis at the Cosmopolitan Hotel in Menton, fully conscious, with his mother and sister at his side; he was twenty-five. The next day, after a requiem Mass in Menton Cathedral, he was buried in the Cimetière du Trabuquet.

All works

On view at Victoria and Albert Museum

Museum page

On the same theme · Penis

All works on the theme