The Ill-Assorted Couple, Albrecht Dürer, c. 1496
Albrecht Dürer, portraitAlbrecht DürerGerman, 1471–1528

The Ill-Assorted Couple

c. 1496 · Print

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Art Institute of Chicago

Chicago, United States

It belongs to the collection, but is not on display at present.

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In this state since
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The museum

About the work

The intersection of commerce with the seamy side of love inspired this secular Dürer engraving. The title refers to the difference in age between two would-be lovers, here seated outside in an intentionally isolated spot. In this popular Renaissance genre, lascivious elderly men attempt to grope beautiful courtesans who hold out for a second purse or steal the rest of their conquest’s belongings. Alternately, toothless crones stroke young men who hope to inherit everything on becoming widowers. Love is on offer to the highest bidder in a mercenary transaction that is anything but courtly.

Art Institute of ChicagoCC BY 4.0

Particulars

Accession number
1940.60

In the catalog

Sources

Meanwhile, in the life of Albrecht Dürer

The whole life
  1. c. 1492 – 1494

    Basel: woodcuts for the printers

    In Basel, a centre of printing, Dürer stayed with Georg Schongauer. A woodblock for the title page of the Letters of St Jerome (1492), signed with his name on the back, led to the works of the “Master of the Bergmann Press” being attributed to him; he may also have worked on the woodcuts for Sebastian Brant's Ship of Fools.

  2. July 1494

    Marries Agnes Frey

    Soon after returning to Nuremberg the 23-year-old Dürer married Agnes Frey, daughter of a prominent brass worker and amateur harpist; the match had been arranged in his absence, and marriage was required to open a workshop of his own. They had no children, and his letters suggest the marriage was not a happy one.

  3. 7 July 1494

    Married: Agnes Dürer

  4. 1494–1495

    First journey to Italy

    Within three months of the wedding Dürer left alone for Italy, perhaps fleeing an outbreak of plague in Nuremberg. Crossing the Alps he made watercolour landscapes; in Venice he studied its art and judged Giovanni Bellini the best of its painters; Mantegna and Pollaiuolo left their mark on him.

  5. 1495

    Opens his own workshop

    Dürer opened his own workshop in Nuremberg, where over the next ten years he created much of his printmaking. His godfather, the publisher Anton Koberger, helped issue the first series; the city's crafts were governed by the Council rather than guilds, leaving him free to try new techniques and sell his own impressions.

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