The Grand Tournament: The Combat, Jacques Callot, 1627
Jacques Callot, portraitJacques CallotFrench, 1592–1635

The Grand Tournament: The Combat

1627 · Print

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Not on view at present

Where is “The Grand Tournament: The Combat” now? Collection: Art Institute of Chicago, Chicago. Not on view at present. Checked October 12, 2026.

Art Institute of Chicago

Chicago, United States

It belongs to the collection, but is not on display at present.

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About the work

Jacques Callot produced lively etched illustrations for lavish festival books celebrating the Medici in Florence and, later, for the Duchy of Lorraine. This book, called The Combat at the Barrier after its culminating event, was held in Nancy on February 14, 1627, to honor the controversial Duchess of Chevreuse. Callot’s patron, Charles IV, Duke of Lorraine, was so smitten with her that he sided with the English against France at her request. The event consisted of an elaborate parade complete with floats and several mock battles, leading up to the Grand Tournament seen here, in which Charles IV emerged victorious.

Art Institute of ChicagoCC BY 4.0

Details

Accession number
1920.1195

In the catalog

Sources

In the life of Jacques Callot

The whole life
  1. 1621–1635 · Workplace

    Nancy

  2. 1627

    In the Netherlands at Infanta Isabella’s invitation

    At the invitation of the Infanta Isabella Callot visits the Netherlands; views of Holland, like those of Italy and France, and characteristic portraits of soldiers, circus performers and actors are reflected in his work.

  3. 1627

    Van Dyck paints his portrait in Brussels

    In Brussels Callot meets Anthony van Dyck, who paints his portrait; it is later engraved by Lucas Vorsterman and enters the famous “Iconography”.

  4. 1627 · Workplace

    Breda

  5. 1627

    Meets Honthorst in Utrecht

    In Utrecht Callot meets the Caravaggist G. van Honthorst, one of the main representatives of the school of the Utrecht Caravaggisti.

  6. 1629–1630

    Declines to serve Louis XIII

    King Louis XIII of France offers Callot a place at his court, but the artist declines; by one account, as a patriot of Lorraine he could not forgive the king for the devastation of his homeland by French troops.

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On view at Art Institute of Chicago

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