
Edward Burne-JonesBritish, 1833–1898The Blessed Damozel
Can I see it?
Not on view at present
Where is “The Blessed Damozel” now? Collection: Harvard Art Museums, Cambridge. Not on view at present. Checked September 29, 2026.
Cambridge, United States
It belongs to the collection, but is not on display at present.
- Checked
- In this state since
- Source
- The museum
About the work
Drawing is on paper, on another layer of paper mounted on canvas, wrapped around a strainer.
Harvard Art Museums
Details
- Accession number
- 1943.452
In the catalog
Sources
- Harvard Art Museums
- Image: Harvard Art Museums — © President and Fellows of Harvard College
In the life of Edward Burne-Jones
The whole life1855–1856
Discovers Malory’s “Le Morte d’Arthur”
At twenty-two Burne-Jones discovered Thomas Malory’s “Le Morte d’Arthur”. The book became an inexhaustible source for him: he went on making drawings and paintings of its subjects for the rest of his life.
1856
Meets Dante Gabriel Rossetti
Admirers of Rossetti’s work, Burne-Jones and Morris met him by recruiting him as a contributor to the “Oxford and Cambridge Magazine”, founded by Morris in 1856 to promote the ideas of their Oxford “Brotherhood”. Under Rossetti’s influence both decided to become artists, and Burne-Jones, who had meant to enter the Church, left Oxford without taking a degree.
1856
Engaged to Georgiana MacDonald
Burne-Jones became engaged to Georgiana (Georgie) MacDonald, the sister of an old school friend, who was training as a painter; they married on 9 June 1860. Through her sisters he became brother-in-law to the painter Edward Poynter and uncle by marriage to Rudyard Kipling and Stanley Baldwin.
1857
First stained-glass cartoon, for Bradfield College
For Bradfield College he made the first of what became an immense series of cartoons for stained glass. Windows from his designs are still found in churches across the UK, with examples in the US and Australia.
1860
Married: Georgiana Burne-Jones
1861
Co-founds Morris, Marshall, Faulkner & Co.
William Morris founded a decorative-arts firm with Burne-Jones, Rossetti, Ford Madox Brown, Philip Webb, Charles Faulkner and Peter Paul Marshall as partners. It undertook carving, stained glass, metalwork, wallpapers, printed fabrics and carpets, and from the first the decoration of churches.














