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  1. Collection/
  2. Talking
Talking, Kasimir Malevich, 1900-1935
Kazimir Malevich, portraitKazimir MalevichRussian, 1879–1935

Talking

1900-1935 · Painting; Watercolor · 13 x 12 in

May one see it?

No: it was stolen and is being sought

Listed in the FBI's National Stolen Art File under no. 00934.

Checked
9 days ago· Reported
In this state since
Sep 30, 2026
Source
A register of stolen art
Every stolen and lost work

About the painting

Watercolor by Kazimir Malevich entitled "Talking." Line drawing style of person (man?) with head turned to viewer's right, he wears blue pants with one black leg.

Particulars

1900-1935
18791935

In the catalog

PaintingsRussian paintingSoviet paintingImpressionismModernism20th century

Sources

  • The FBI's National Stolen Art File
  • Image: FBI National Stolen Art File

Meanwhile, in the life of Kazimir Malevich

The whole life
  1. 19 December 1915

    “0,10”: the “Black Square” in the icon corner

    On 19 December 1915 (1 January 1916 in the new style), at the “Last Futurist Exhibition of Paintings 0,10” in Nadezhda Dobychina’s Art Bureau in Petrograd, Malevich showed 39 abstract works under the general title “Suprematism of Painting”; he hung the “Black Square” in the upper corner of the room — where an icon hangs in a Russian home. His brochure “From Cubism and Futurism to Suprematism” accompanied the show; in the next room Tatlin exhibited his corner reliefs, and the exhibition was seen by more than six thousand people.

  2. November 1919

    Moving to Vitebsk, to Chagall

    In November 1919 Malevich moved to Vitebsk and began to run a workshop in the People’s Art School of a “new revolutionary model”, headed by Marc Chagall.

  3. December 1919

    The first retrospective: from Impressionism to Suprematism

    In December 1919 Malevich’s first retrospective, “His Path from Impressionism to Suprematism”, opened in Moscow: the works ran from Impressionism and neo-primitivism through Cubo-Futurism to Suprematism, which was divided into black, coloured and white periods and ended with a display of blank canvases on stretchers — a manifesto of the complete renunciation of painting.

  4. 1920

    UNOVIS: the pupils around Malevich

    By 1920 a group of devoted pupils had formed around Malevich — UNOVIS (the Affirmers of the New Art); its members included El Lissitzky, Lazar Khidekel, Ilya Chashnik and Nikolai Kogan. He himself hardly painted at that time, concentrating on theoretical and philosophical writing, and under Lissitzky’s influence began his first experiments in architecture.

  5. 20 September – December 1930

    Arrested by the OGPU on a charge of espionage

    In the autumn of 1930 Malevich was arrested by the OGPU on a charge of espionage: he was interrogated in Leningrad and threatened with execution, and released in early December — the investigator V. A. Kishkin showed no fanaticism. Shortly before, he had lost his job: the department he headed at the Institute of Art History had been closed.

  6. 15 May 1935

    Died

More by Kazimir Malevich

All works
Woman with Pails: Dynamic Arrangement, Kazimir Malevich, 1912-13 (dated on reverse 1912)

Woman with Pails: Dynamic Arrangement

1912-13 (dated on reverse 1912) · The Museum of Modern Art

Samovar, Kazimir Malevich, 1913

Samovar

1913 · The Museum of Modern Art

Авиатор, Kazimir Malevich, 1914

Авиатор

1914 · State Russian Museum

Red Square, Kazimir Malevich, 1915

Red Square

1915 · State Russian Museum

Супрематизм (Supremus №58. Желтое и черное), Kazimir Malevich, 1916

Супрематизм (Supremus №58. Желтое и черное)

1916 · State Russian Museum

Супрематизм (supremus № 56), Kazimir Malevich, 1916

Супрематизм (supremus № 56)

1916 · State Russian Museum

Черный квадрат, Kazimir Malevich, c. 1923

Черный квадрат

c. 1923 · State Russian Museum

На жатву (Марфа и Ванька), Kazimir Malevich, 1928-1929

На жатву (Марфа и Ванька)

1928-1929 · State Russian Museum