Kitagawa UtamaroJapanese, 1754–1806Takashima Ohisa
Can I see it?
Yes, on view now
Where is “Takashima Ohisa” now? Art Institute of Chicago, Gallery 107, Chicago. Yes, on view now. Checked September 29, 2026.
Chicago, United States
Closed· opens at 11:00 AM
On public display.
- Checked
- In this state since
- Source
- The museum
Details
- Accession number
- 1928.1038
In the catalog
Sources
- Art Institute of Chicago
- Image: Art Institute of Chicago — CC0
In the life of Kitagawa Utamaro
The whole life1790–1801
Tightening censorship: seals on prints
From 1790 prints can be sold only with a censor's seal of approval; over the following decades censorship grows stricter, and violators can receive harsh punishments. From 1799 even preliminary drafts need approval, and in 1801 the works of a group of Utagawa-school offenders, including Toyokuni, are repressed.
c. 1791
Giving up book prints for half-length portraits of beauties
Around 1791 Utamaro gives up designing prints for books and concentrates on single portraits of women shown half-length, rather than the group scenes favoured by other ukiyo-e artists. He was the first in Japanese woodblock printing to use half-length compositions for women's portraits; none of his work from 1790–1792 has survived.
1793
Recognition and the end of the arrangement with Tsutaya
In 1793 Utamaro achieves recognition as an artist, and his semi-exclusive arrangement with the publisher Tsutaya Jūzaburō ends. He then goes on to produce several well-known series featuring women of the Yoshiwara district, and becomes one of the few ukiyo-e artists to win fame throughout Japan in his lifetime.
