Alfred StieglitzAmerican, 1864–1946Sun Rays—Paula, Berlin
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Not receiving at present
Chicago, United States
It belongs to the collection, but is not on display at present.
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- In this state since
- Source
- The museum
About the work
Although Stieglitz made this photograph of his lover Paula early in his career, he did not exhibit or publish it until 1921 at the earliest; shown frequently thereafter, it became one of his best-known works. In contrast to the more atmospheric, seemingly timeless images he was making at the time, such as The Net Mender, Sun Rays is sharp and crisp, as well as modern in its subject matter—the photographs on the wall include a small studio portrait of Stieglitz himself. Only later in his career, after his conversion to “straight” photography, did Stieglitz recognize the modernist impulses at play in this photograph and connect it to his more recent work.
For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website: The Alfred Stieglitz Collection.
Art Institute of ChicagoCC BY 4.0
Particulars
- Accession number
- 1949.698
What it shows
In the catalog
Sources
- Art Institute of Chicago
- Image: Art Institute of Chicago — CC0
Meanwhile, in the life of Alfred Stieglitz
The whole life1890
His sister Flora dies; he returns to New York
In 1890 his sister Flora died in childbirth, and Stieglitz returned to New York. Considering himself an artist, he refused to sell his photographs, so his father bought him a small photography business, the Photochrome Engraving Company, which rarely made a profit because of his demand for quality and the high wages he paid.
1902
Founds the Photo-Secession
In December 1901 Charles DeKay of the National Arts Club invited Stieglitz to put together an exhibition with “full power to follow his own inclinations”. Within two months he had assembled prints from a close circle of friends and, in homage to the Munich photographers, called the group the Photo-Secession, a secession not only from the artistic restrictions of the era but from the official oversight of the Camera Club.
25 November 1905
The 291 gallery opens on Fifth Avenue
On November 25, 1905, the Little Galleries of the Photo-Secession opened at 291 Fifth Avenue with one hundred prints by thirty-nine photographers; Edward Steichen had encouraged Stieglitz to lease the three rooms across from his own apartment. The gallery was an instant success, with almost fifteen thousand visitors in its first season and print sales of nearly $2,800, more than half of them Steichen's work.
1907
Paris: Gertrude Stein and a turn to painting
In Paris in 1907 Stieglitz met Gertrude Stein and was captivated by Rodin, Matisse, Toulouse-Lautrec, Cézanne and Rousseau. He decided to turn his photography gallery into a full art gallery to introduce the conservative American public to the newest European art.
January – May 1916
Meets Georgia O'Keeffe
In January 1916 the suffragist Anita Pollitzer showed Stieglitz a set of charcoal drawings by Georgia O'Keeffe, and he decided to exhibit them at 291 without meeting her or asking her permission. In late May O'Keeffe heard of it from a friend and came to the gallery to chastise him, which is how they met; by the summer of 1917 they were writing each other their most private thoughts.
June 1918
O'Keeffe comes to New York; he leaves his family
In early June 1918 O'Keeffe moved to New York from Texas after Stieglitz promised her a quiet studio. Within a month his wife Emmy came home during one of the first nude photography sessions in the family apartment and told him to stop seeing O'Keeffe or get out; Stieglitz left and immediately found a place in the city where he and O'Keeffe could live together.
