Study of Trees with a distant farmhouse, John Constable, 1797
John Constable, portraitJohn ConstableBritish, 1776–1837

Study of Trees with a distant farmhouse

1797 · Drawing · 19.7 × 32.8 cm

Can I see it?

Not on view at present

Where is “Study of Trees with a distant farmhouse” now? Collection: Victoria and Albert Museum, London. Not on view at present. Checked September 25, 2026.

Victoria and Albert Museum

London, United Kingdom

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

Details

Accession number
E.373-1992

What it shows

In the catalog

Sources

In the life of John Constable

The whole life
  1. 1799

    Asks his father to let him paint

    In 1799 Constable persuaded his father to let him pursue art and received a small allowance. He entered the Royal Academy Schools under the tutelage of Joseph Farington, attending life classes and anatomical dissections and copying old masters.

  2. until 1799

    The collector Beaumont shows him Claude Lorrain

    Constable was introduced to the collector George Beaumont, who showed him the pride of his collection, Claude Lorrain’s Landscape with Hagar and the Angel; the picture inspired the young painter.

  3. until 1799

    Youth at the mill: sketches that made him a painter

    After a short time at a boarding school in Lavenham and then a day school in Dedham he worked in his father’s corn business, though his younger brother Abram eventually ran the mills. As a young man he made amateur sketching trips through Suffolk and Essex; those scenes, he said, “made me a painter”.

  4. until 1799

    John Thomas Smith: draw, but stay at the mill

    While visiting relatives in Middlesex, Constable met the draughtsman and engraver John Thomas Smith, who gave him advice on painting but urged him to stay in the family business rather than take up art.

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