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  3. Study of Tree Branches
Study of Tree Branches, John Singer Sargent, c. 1895 - c. 1916
John Singer Sargent, portraitJohn Singer SargentAmerican, 1856–1925

Study of Tree Branches

c. 1895 - c. 1916 · Drawing

May one see it?

Not receiving at present

Harvard Art Museums

Cambridge, United States

It belongs to the collection, but is not on display at present.

Checked
2 days ago
In this state since
Sep 27, 2026
Source
The museum's own collection data
On the mapMuseum page

Particulars

c. 1895 - c. 1916
18561925
Accession number
1937.7.13.21

In the catalog

Drawings & watercolorsGraphiteImpressionism19th centuryAmerican

Sources

  • Harvard Art Museums: the museum's own open data · fetched 8 days ago
  • Image: Harvard Art Museums — © President and Fellows of Harvard College

Meanwhile, in the life of John Singer Sargent

The whole life
  1. 1895–1919

    The “Triumph of Religion” murals for the Boston Public Library

    From 1895 through 1919, for almost thirty years, Sargent works on his largest-scale work, the mural decorations “Triumph of Religion” for the Boston Public Library, showing religion's progress from pagan superstition to the ascension of Christianity; he never completes the final mural of the cycle.

  2. 1898

    Asher Wertheimer commissions a dozen family portraits

    In 1898 Asher Wertheimer, a wealthy Jewish art dealer living in London, commissions from Sargent a series of a dozen portraits of his family, the artist's largest commission from a single patron; most of them, bequeathed to the National Gallery, are now on display at Tate Britain.

  3. 1905

    His first major solo show of watercolours

    In 1905 the Carfax Gallery in London holds Sargent's first major solo exhibition of watercolour works; in watercolours he is able to indulge his earliest artistic inclinations for nature, architecture, exotic peoples and noble mountain landscapes.

  4. 1907

    Closes his portrait studio

    In 1907, at the age of fifty-one, Sargent officially closes his studio, relieved: painting a portrait, he says, would be quite amusing if one were not forced to talk while working, entertaining the sitter and looking happy when one feels wretched.

  5. 1909

    The Brooklyn Museum buys 83 watercolours

    In 1909 Sargent exhibits eighty-six watercolours in New York City, eighty-three of which are bought by the Brooklyn Museum.

  6. 1916

    Sells “Madame X” to the Metropolitan Museum

    Sargent keeps “Madame X” prominently displayed in his London studio until he sells it in 1916 to the Metropolitan Museum of Art, after moving to the United States and a few months after Gautreau's death.

More by John Singer Sargent

All works
Madame X (Virginie Amélie Avegno Gautreau), John Singer Sargent, 1883–84

Madame X (Virginie Amélie Avegno Gautreau)

1883–84 · The Metropolitan Museum of Art

A Male Model Standing before a Stove, John Singer Sargent, ca. 1875–80

A Male Model Standing before a Stove

ca. 1875–80 · The Metropolitan Museum of Art

Spanish Roma Woman, John Singer Sargent, ca. 1876-1882

Spanish Roma Woman

ca. 1876-1882 · The Metropolitan Museum of Art

En route pour la pêche (Setting Out to Fish), John Singer Sargent, 1878

En route pour la pêche (Setting Out to Fish)

1878 · National Gallery of Art

Miss Beatrice Townsend, John Singer Sargent, 1882

Miss Beatrice Townsend

1882 · National Gallery of Art

Street in Venice, John Singer Sargent, 1882

Street in Venice

1882 · National Gallery of Art

Lady with the Rose (Charlotte Louise Burckhardt), John Singer Sargent, 1882

Lady with the Rose (Charlotte Louise Burckhardt)

1882 · The Metropolitan Museum of Art

Margaret Stuyvesant Rutherfurd White (Mrs. Henry White), John Singer Sargent, 1883

Margaret Stuyvesant Rutherfurd White (Mrs. Henry White)

1883 · National Gallery of Art

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Head from a Statue of Ur-Ningirsu, Ruler of Lagash, c. 2113 BCE-2017 BCE

Head from a Statue of Ur-Ningirsu, Ruler of Lagash, c. 2113 BCE-2017 BCE