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  1. Collection/
  2. Victoria and Albert Museum/
  3. Study of cows at Hampstead
Study of cows at Hampstead, John Constable, April 1834

Study of cows at Hampstead

April 1834 · Watercolour · 6.2 × 9 cm

Particulars

April 1834 · aged 58
17761837
Accession number
219-1888

Meanwhile, in the life of John Constable

The whole life
  1. 1828–1837

    A widower with seven children

    For the rest of his life Constable dressed in black and brought up his seven children alone; according to Leslie he was “a prey to melancholy and anxious thoughts”. Several of the children also painted, notably Lionel.

  2. 1835

    A last lecture to the Academy’s students

    In 1835 Constable gave his last lecture to the students of the Royal Academy, praising Raphael and calling the Academy the “cradle of British art”; it was cheered most heartily.

  3. 1836

    Lectures at the Royal Institution: three theses

    In a series of lectures at the Royal Institution in 1836 Constable proposed three theses: landscape painting is scientific as well as poetic; imagination alone never can produce art that bears comparison with reality; and no great painter was ever self-taught.

More by John Constable

All works

Neighbors at Victoria and Albert Museum

Museum page

On the same theme · Cows

All works on the theme
John Constable, portraitJohn ConstableBritish, 1776–1837

May one see it?

Not receiving at present

Victoria and Albert Museum

London, United Kingdom

It belongs to the collection, but is not on display at present.

Checked
13 days ago
In this state since
Sep 25, 2026
Source
The museum
On the mapMuseum page

What it shows

CowsHampstead

In the catalog

Drawings & watercolorsGraphiteRomanticism19th centuryBritish SchoolEngland

Sources

  • Victoria and Albert Museum
  • Image: Victoria and Albert Museum — © Victoria and Albert Museum, London
Stoke-by-Nayland, John Constable, ca. 1810–11

Stoke-by-Nayland

ca. 1810–11 · The Metropolitan Museum of Art

Wivenhoe Park, Essex, John Constable, 1816

Wivenhoe Park, Essex

1816 · National Gallery of Art

The White Horse, John Constable, 1818-1819

The White Horse

1818-1819 · National Gallery of Art

La baie de Weymouth à l'approche de l'orage, Constable, John, 1e quart du XIXe siècle (1818 - 1819)

La baie de Weymouth à l'approche de l'orage

first quarter of the 19th century (1818–1819) · Musée du Louvre

Salisbury Cathedral from Lower Marsh Close, John Constable, 1820

Salisbury Cathedral from Lower Marsh Close

1820 · National Gallery of Art

Vue de Salisbury, Constable, John, 1e quart du XIXe siècle (1820)

Vue de Salisbury

first quarter of the 19th century (1820) · Musée du Louvre

Vallon à Helmingham [Helmingham Dell], Constable, John, 1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)

Vallon à Helmingham [Helmingham Dell]

1823 · Musée du Louvre

Salisbury Cathedral from the Bishop's Grounds, John Constable, ca. 1825

Salisbury Cathedral from the Bishop's Grounds

ca. 1825 · The Metropolitan Museum of Art

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Young Ladies of the Village, Gustave Courbet, 1851–52

Gustave Courbet

Young Ladies of the Village, 1851–52

The Metropolitan Museum of Art

Woman with Cow, and Goose; Counterproof [verso], Paul Gauguin, 1884-1888

Paul Gauguin

Woman with Cow, and Goose; Counterproof [verso], 1884-1888

Not on view · National Gallery of Art

Tahitian Carrying Bananas (Le porteur de fei), Paul Gauguin, in or after 1895

Paul Gauguin

Tahitian Carrying Bananas (Le porteur de fei), in or after 1895

Not on view · National Gallery of Art

The Adoration of the Magi, Hieronymus Bosch, ca. 1475

Hieronymus Bosch

The Adoration of the Magi, ca. 1475

The Metropolitan Museum of Art

The Adoration of the Shepherds, El Greco, ca. 1605–10

El Greco

The Adoration of the Shepherds, ca. 1605–10

The Metropolitan Museum of Art

American Landscape, Edward Hopper, 1920

Edward Hopper

American Landscape, 1920

Not on view · National Gallery of Art

Studies of Cattle, John Singer Sargent, c. 1872

John Singer Sargent

Studies of Cattle, c. 1872

Not on view · National Gallery of Art

Salisbury Cathedral from the Bishop's Grounds, John Constable, ca. 1825

John Constable

Salisbury Cathedral from the Bishop's Grounds, ca. 1825

The Metropolitan Museum of Art