Studie zu den "Netzflickerinnen", Max Liebermann, 19th century
Max Liebermann, portraitMax LiebermannGerman, 1847–1935

Studie zu den "Netzflickerinnen"

19th century · Drawing

May one see it?

Unknown

Albertina

Vienna, Austria

The owner is known; whether it is on view today is not.

In this state since
Source
The museum

Particulars

In the catalog

Sources

  • Albertina
  • Image: Albertina — Public Domain Mark 1.0

Meanwhile, in the life of Max Liebermann

The whole life
  1. 20 July 1847

    Born

  2. 1868–1872 · Education

    Weimar Saxon-Grand Ducal Art School

  3. December 1873

    Move to Paris: a studio in Montmartre

    In the art capital of the world Liebermann hoped to make contact with the leading realists and Impressionists, but the French painters refused to have anything to do with “the German”.

  4. c. 1879

    Scandal over “The Twelve-Year-Old Jesus”

    The painting set off a wave of outrage across the empire: the Augsburger Allgemeine wrote of “the ugliest” Jewish boy imaginable, a Bavarian state deputy denied a Jew the right to depict Jesus this way, and the court preacher Adolf Stoecker carried the antisemitic debate on in Berlin. Colleagues including Wilhelm Leibl and Friedrich August von Kaulbach rallied to his side, yet Liebermann himself painted over the figure of Jesus in response — the overpainting was discovered only in 1993.

  5. 1884

    Decides to return to Berlin

    Liebermann knew that Berlin would bring fresh conflicts, but he believed the city would sooner or later take its place among the leading art centres: it held an important place on the European art market, and Munich's traditions weighed on him. The family's first home was an apartment at In den Zelten 11, on the northern edge of the Tiergarten.

  6. 1898

    President of the Berlin Secession

    When the jury of the Great Berlin Art Exhibition, chaired by Anton von Werner, rejected a work by Walter Leistikow, Leistikow called on independent artists to unite, and Liebermann was elected president of the association. He appointed the gallerists Bruno and Paul Cassirer as secretaries, and his fame secured the Secession public interest.

All works

From the collection of Albertina

Museum page