Still Life on Round Table, Fernand Léger, 1920
Fernand Léger, portraitFernand LégerFrench, 1881–1955

Still Life on Round Table

1920 · Drawing and Watercolor

Can I see it?

Not on view at present

Where is “Still Life on Round Table” now? Collection: Art Institute of Chicago, Chicago. Not on view at present. Checked September 29, 2026.

Art Institute of Chicago

Chicago, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

Details

Accession number
2015.261

In the catalog

Sources

In the life of Fernand Léger

The whole life
  1. December 1919

    Marriage to Jeanne Lohy

    In December 1919 Léger marries Jeanne-Augustine Lohy; she remains his wife until her death in 1950.

  2. 1920

    Friendship with Le Corbusier, “The Mechanic” and “The Great Lunch”

    In 1920, at the founding of the journal “L'Esprit nouveau”, Léger befriends Le Corbusier, who remains a lifelong friend. In the same year he paints the canvases “The Mechanic” and “The Great Lunch”, and from this year he exhibits at the Indépendants for many years.

  3. 1921

    Meeting van Doesburg and Mondrian

    In 1921 Léger meets van Doesburg and Mondrian.

  4. 1921

    Gance's “La Roue” and Malraux's “Lunes en papier”

    In 1921, together with Blaise Cendrars, Léger works on Abel Gance's film “La Roue” and illustrates André Malraux's book “Lunes en papier”. He is so drawn to cinema that he considers for a time giving up painting for filmmaking.

  5. 1922

    The death of his mother

    In 1922 Léger's mother, Marie Adèle Dunon, dies; she had lived on her farm in Lisores until her death.

  6. 1922–1924

    Stage and screen: the Swedish Ballet and “L'Inhumaine”

    In 1922 Léger designs sets, costumes and the curtain for “Skating Rink” (music by Milhaud) for Rolf de Maré's Swedish Ballet, and in 1923 for the ballet “La Création du monde” (Milhaud, libretto by Cendrars). In 1923–24 he designs the laboratory set for Marcel L'Herbier's film “L'Inhumaine”.

All works

On view at Art Institute of Chicago

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